Zen Koan #22: Parable of My Heart Burns Like Fire – Buddhist Teaching on Wakeful Presence

Zen Koan #22: Parable of My Heart Burns Like Fire - Buddhist Teaching on Wakeful Presence Love is the ultimate transgression, bell hooks argues. Its transformative power can shatter the status quo. In Zen Meditation, we develop states of great clarity but we also develop states of cow-like ignorance, bovine ponderousness. The important thing is not to have any resentment against your suffering, or any expectations of happiness. In fact, when some people encounter trouble, it does not reinforce their practice at all.

By grasping what is selfless as a self there is confusion. Since many of you have traveled far, or have worked hard to set aside the time, you have a great deal invested in this retreat. If you can take this attitude, eventually it will go away. The practice just keeps moving like a ball rolling down a hill. Freedom is shown in according one’s life with realities. The wisdom of the Buddha is not difficult to perceive; it can be attained in the instant between two thoughts. Musing requires excruciating motivation. The ones who come have some authentic desire for spiritual, moral, philosophical, or astute uplifting.

Being free to go wherever you wish, you are outside of the cycle of birth and death. If you do not abide in duality, neither having too much nor too little confidence, then what should you do? You have not come here to get enlightened, but to practice.

Zen Koan: “My Heart Burns Like Fire” Parable

Soyen Shaku, the first Zen teacher to come to America, said: “My heart burns like fire but my eyes are as cold as dead ashes.” He made the following rules which he practiced every day of his life.

In the morning before dressing, light incense and meditate.

Retire at a regular hour. Partake of food at regular intervals. Eat with moderation and never to the point of satisfaction.

Receive a guest with the same attitude you have when alone. When alone, maintain the same attitude you have in receiving guests.

Watch what you say, and whatever you say, practice it.

When an opportunity comes do not let it pass by, yet always think twice before acting.

Do not regret the past. Look to the future.

Have the fearless attitude of a hero and the loving heart of a child.

Upon retiring, sleep as if you had entered your last sleep. Upon awakening, leave your bed behind you instantly as if you had cast away a pair of old shoes.

Buddhist Insight on Wakeful Presence

According to Buddhism, everything mental and physical ensues in accordance with laws and conditions; and if it were otherwise, chaos and blind chance would reign. Nevertheless, such a thing is intolerable and disproves all laws of thinking. In the wakeful presence of the mind, other kinds of happiness diminish and are exhausted. Most people tend to be locked into a quite dreary round of tasks, and experience little peace or harmony, according to Zen philosophy. The American clinical psychologist John Welwood, who frequently writes about the integration of psychological and spiritual concepts, writes in Ordinary Magic, Everyday Life as Spiritual Path,

Our society would have us believe that inner satisfaction depends on our success and achievement. Yet struggling to “get somewhere” keeps us perpetually busy, stressed-out, and disconnected from that essential inner resource – our ability to be fully present – which could provide a real sense of joy and fulfillment. Our life is unsatisfactory only because we are not living it fully, because instead we are pursuing a happiness that is always somewhere else, other than where we are right now…

Cultivating the capacity to be fully present – awake, attentive, and responsive – in all the different circumstances of life is the essence of spiritual practice and realization. Those with the greatest spiritual realization are those who are “all here,” who relate to life with an expansive awareness that is not limited by any fixation on themselves or their own point of view. They don’t shrink from any aspect of themselves or life as a whole.

Ira Glass on Christianity and Religion

Ira Glass Ira Glass is an American television and radio personality who was the admired host of a radio program called This American Life.

Glass has stated on This American Life that he is a committed atheist. “It’s not like I don’t feel like I’m a Jew. I feel like I don’t have a choice about being a Jew. Your cultural heritage isn’t like a suitcase you can lose at the airport. I have no choice about it. It is who I am. I can’t choose that. It’s a fact of me … But even when I was 14 or 15, it didn’t make that much sense to me that there was this Big Daddy who created the world and would act so crazy in the Old Testament. That we made up these stories to make ourselves feel good and explain the world seems like a much more reasonable explanation. I’ve tried to believe in God, but I simply don’t.”

Atheism notwithstanding, “some years I have a nostalgic feeling to go into a shul and I’ll go in for a High Holiday service,” discloses Glass, who has fond memories of his childhood rabbi’s beguiling discourses. “Rabbi Seymour Esrog was really funny, a great storyteller. He was so good that even the kids would stay and watch him. He’d tell a funny anecdote, something really moving, and go for a big finish. That’s what the show is,” he competes, recognizing the rabbi’s effect.

In this interview with religious anthropologist Jim Henderson, Glass says he thinks Christians get a genuinely bad rap in the media. The NPR star said the way Christians are often represented in pop-culture is totally different from the way the Christians he knows personally actually are in real life. “The Christians in my life were all incredibly wonderful and thoughtful and had very ambiguous, complicated feelings in their beliefs. And seemed to be totally generous-hearted, and totally open to a lot of different kinds of people in their lives.”

Architectural Highlights of the Lotus Mahal in Hampi, Vijayanagara Empire

Architectural Highlights of the Lotus Mahal in Hampi, Vijayanagara Empire

Lotus Mahal (or Kamala Mahal) is perhaps the most elegant stucco pavilion at Hampi, capital of the famous Vijayanagara Empire of South India. Additionally, it is an excellent example of a well-balanced mishmash of Indian and Islamic (or Sarcenic) architectural style.

Ground Floor of the Lotus Mahal, Hampi

Indian and Islamic (or Sarcenic) Architectural Style of Lotus Mahal, Hampi The structure of the Lotus Mahal is built of brick and mortar with smooth and glossy plaster finishing. Yet, the platform or the basement of the building is built of stone. It has indented outlines with sharp corners, with excellently bedecked moldings at the bottom on all the sides. The structure has two stories.

The ground floor is not closed in any direction. It has cusped arches with fine decorations over which exists a sloping eave, surrounding the building. The ground area has a pavilion or a spectator section, which was used by the royals for pastime and for congregation.

The ground floor is raised on a high and ornamental stone basement with doubly recessed angles, which makes the plan of the building somewhat different, and many art historians have marveled at this architectural feature.

First Floor of the Lotus Mahal, Hampi

There is a staircase to go to the first floor. The first floor is a closed pavilion with many rectangular windows with separate arches at the top. Each of these windows had wooden shutters, which is not very a common feature. Possibly the royal women used this.

The upper floor also has a sloping eave running around the building. The graceful roof contains nine superstructures, which bear a resemblance to closely the sikharas of Hindu temples.

Well-Designed and Toned Architectural Features of the Lotus Mahal, Hampi

The interior of the upper storey consists of an indented hall with four pillars in the centre with niches. The interior walls consist of finely carved floral designs of a high order. While the pillars and the arches exhibit Islamic architectural characters, the base, the roof the superstructures, cornices and stucco ornaments are Hindu in character.

Well-Designed and Toned Architectural Features

This harmonious architectural combination of features has made the Lotus Mahal distinctive at Hampi. Actually, it is an appealing and a long-awaited combination of two different styles of architecture during the Vijayanagara period.

This elegant building was perhaps used entirely by the royalty as a pleasure pavilion with open space at the ground level and some amount of privacy at the first floor. Thus, its name Lotus Mahal or Kamala Mahal is entirely appropriate to this elegant structure.

Zen Koan #21: Parable of Sound of One Hand – Buddhist Teaching on Awakening

Zen Koan #21: Parable of Sound of One Hand - Buddhist Teaching on Awakening Meditation teaches us how to relate to life directly, so we can truly experience the present moment, free from conceptual overlay. Whenever you make distinctions, your mind is in opposition. If your mind is free from the environment, not bounded by mental realms, then your next birth will not be dictated by karma but rather by your own decision. Does a given individual’s religion accommodate to break his will, keep him at an infantile level of development, and enable him to evade the solicitousness of liberation and personal responsibility?

On the other hand, does it accommodate him as a substructure of designation, which affirms his dignity and worth, which gives him a substructure for valiant acceptance of his inhibitions and mundane solicitousness, but which avails him develop his potencies, his responsibility, and his capacity to dote his fellow men? The only difference is that there is no obstruction or attachment in their minds. You have to be careful and meticulous. For example, if everybody were male, the label “men” would no longer be paramount, since its only purport is to distinguish men from women. The ordinary person does not know this.

Being too good might mean ending up being too bitter. However, this repose is only relative. Do not concern yourself with anything going on around you.

Zen Koan: “Sound of One Hand” Parable

The master of Kennin temple was Mokurai, Silent Thunder. He had a little protege named Toyo who was only twelve years old. Toyo saw the older disciples visit the master’s room each morning and evening to receive instruction in sanzen or personal guidance in which they were given koans to stop mind-wandering.

Toyo wished to do sanzen also.

“Wait a while,” said Mokurai. “You are too young.”

But the child insisted, so the teacher finally consented.

In the evening little Toyo went at the proper time to the threshold of Mokurai’s sanzen room. He struck the gong to announce his presence, bowed respectfully three times outside the door, and went to sit before the master in respectful silence.

“You can hear the sound of two hands when they clap together,” said Mokurai. “Now show me the sound of one hand.”

Toyo bowed and went to his room to consider this problem. From his window he could hear the music of the geishas. “Ah, I have it!” he proclaimed.

The next evening, when his teacher asked him to illustrate the sound of one hand, Toyo began to play the music of the geishas.

“No, no,” said Mokurai. “That will never do. That is not the sound of one hand. You’ve not got it at all.”

Thinking that such music might interrupt, Toyo moved his abode to a quiet place. He meditated again. “What can the sound of one hand be?” He happened to hear some water dripping. “I have it,” imagined Toyo.

When he next appeared before his teacher, Toyo imitated dripping water.

“What is that?” asked Mokurai. “That is the sound of dripping water, but not the sound of one hand. Try again.”

In vain Toyo meditated to hear the sound of one hand. He heard the sighing of the wind. But the sound was rejected.

He heard the cry of an owl. This also was refused.

The sound of one hand was not the locusts.

For more than ten times Toyo visited Mokurai with different sounds. All were wrong. For almost a year he pondered what the sound of one hand might be.

At last little Toyo entered true meditation and transcended all sounds. “I could collect no more,” he explained later, “so I reached the soundless sound.”

Toyo had realized the sound of one hand.

Buddhist Insight on Awakening

Buddhism teaches the need for clear thinking, awakening, self-control, self-help, and meditation. It’s much better to have that all happen than have it all still, solid and barricaded. The feelings of insecurity and unrest will dissolve and life will be more meaningful, happy, and interesting if there is someone who is willing to share another’s burden. Awakening is the object of abstract kindness in all beings. The American Zen priest Melissa Myozen Blacker wrote in The Book of Mu: Essential Writings on Zen’s Most Important Koan,

The natural ripening of a person on this path may be so gradual as to be unnoticed, or so sudden as to feel like an explosion. Trusting this process of awakening, we begin to taste the experience of oneness, which is frankly indescribable. No matter how hard we try, we can’t communicate this feeling, which is so unlike our previous life, our familiar construction of reality, that we may liken it to dreaming. But we have actually woken up to our true life, and we are struck dumb, wordless, in an experience that can’t be described by the ordinary words we have used all our lives. It feels impossible to talk about this new, freshly felt life of realization, which is so amazing in its simplicity and ordinariness. The subtlety of this part of the path is misleading because it is actually not at all subtle. The profundity of the shift in consciousness, when outer and inner become one, must be lived, not described – but recognized, of course, by others on the same path.

Easy Recipe for Indonesian Nasi Kuning – Festive Yellow Turmeric Rice

Traditional Festive Indonesian Dish - Yellow Turmeric Rice Rice colored with turmeric and shaped into a cone is a common sight during festive occasions in Bali and Java. The conical shape echoes that of the mythical Hindu mountain, Meru, while yellow is the color of royalty and one of the four sacred colors for Hindus.

Even in Muslim Java, this traditional festive dish remains popular, and is accompanied by sambal trasi, classic grilled chicken, and eggs in fragrant lemongrass sauce.

Ingredients for Indonesian Nasi Kuning

  1. 2 inch fresh turmeric, peeled and sliced and two tsp ground turmeric
  2. 1/4 cup water
  3. 1.5 (300 g) cup uncooked rice, washed and drained
  4. 1.5 cups (375 ml) thin coconut milk
  5. 1/2 cup (150 ml) chicken stock or 1/4 tsp chicken stock granules dissolved in 1/2 cup warm milk
  6. 1 salam or pandanus leaf
  7. 1 stalk lemongrass, thich bottom third only, outer layers discarded, inner part bruised
  8. 1 inch (2.5 cm) fresh galangal, peeled and sliced
  9. 1 tsp salt

Accompaniments for Indonesian Nasi Kuning

  1. Easy Recipe for Indonesian Nasi Kuning - Festive Yellow Turmeric Rice Freshly sliced cucumber and tomato
  2. 1 portion sambal trasi
  3. 1 portion grilled Indonesian chicken
  4. 1 portion sambal goreng tempeh
  5. 1 portion eggs in fragrant lemongrass sauce
  6. Emping (melinjo nut wafers)

Procedure for Indonesian Nasi Kuning

  1. Grind the turmeric and water in a mortar until fine. Strain through a sieve to extract all the juice. Discard the solids. If using ground turmeric, dissolve the powder in two tsp of water
  2. Combine the rice, turmeric juice, coconut milk, chicken stock, salam or pandanus leaf, lemongrass, galangal, and salt in pot and bring to a boil over high heat. Reduce the heat to medium and simmer cooked until the liquid is absorbed, 10 to 15 minutes, then reduce the heat to low and cook for 5 to 10 more minutes, until the rice is dry and fluffy. Remove from the heat and mix well. Alternatively, cook the rice and ingredients in a rice cooker.
  3. Discard the salam or pandanus leaf, lemongrass, and galangal.
  4. Press the cooked turmeric rice into a cone shaped, if desired. Serve the cooked rice with the accompaniments on the side.

Zen Koan #20: Parable of A Mother’s Advice – Buddhist Teaching on Love and Relationships

Zen Koan #20: Parable of A Mother's Advice - Buddhist Teaching on Love and Relationships Thought and emotion work together in receiving and processing information about the world and in guiding goal-oriented behavior. Emotions incline us toward or away from options, not simply as motivators but as identifiers of these options. They include any doubts about the correctness of your method, or whether your decision to attend this retreat was a right or a wrong one.

We can pursue scientific discovery without knowing what we are looking for, for the reason that the gradient of deepening coherence tells us where to start and which way to turn, and eventually brings us to the point where we may stop and claim a discovery. Practice is the last best hope of living up to that good-heartedness, the only thing that never hurts and customarily avails. In any activity, you have to find just the right way to do it.

Knowing the dimensions of the perception will help you determine the framing that will communicate exactly what you’ve seen. Therefore, we veraciously endeavor the method and then we work with what comes up. I’ll just put the method aside and let my mind wander a little bit. This is a wrong way to practice. There are some who admit they are not enlightened, but nevertheless refuse to recognize accepted rules of behavior.

Zen Koan: “A Mother’s Advice” Parable

Jiun, a Shingon master, was a well-known Sanskrit scholar of the Tokugawa era. When he was young he used to deliver lectures to his brother students.

His mother heard about this and wrote him a letter:

“Son, I do not think you became a devotee of the Buddha because you desired to turn into a walking dictionary for others. There is no end to information and commentation, glory and honor. I wish you would stop this lecture business. Shut yourself up in a little temple in a remote part of the mountain. Devote your time to meditation and in this way attain true realization.”

Buddhist Insight on Love and Relationships

In love and in relationships, meditation is simply a question of being, of melting, like a piece of butter left in the sun. Here there are the expression of offering and the promise to compose the text. Finally, mindfulness is essential to seeing all the precepts, and one’s constant effort to maintain the precepts in turn issues in an increase in the clarity of mindfulness. The American clinical psychologist John Welwood, who frequently writes about the integration of psychological and spiritual concepts, writes in Perfect Love, Imperfect Relationships,

Imagining others to be the source of love condemns us to wander lost in the desert of hurt, abandonment, and betrayal, where human relationships appear to be hopelessly tragic and flawed. As long as we fixate on what our parents didn’t give us, the ways our friends don’t constantly show up for us, or the ways our lover doesn’t understand us, we will never become rooted in ourselves and heal the wound of the heart. To grow beyond the dependency of a child requires sinking our own taproot into the wellspring of great love. This is the only way to know for certain that we are loved unconditionally.

In emphasizing the importance of not looking to others for perfect love, I am not suggesting that you turn away from relationships or belittle their importance. On the contrary, learning to sink your taproot into the source of love allows you to connect with others in a more powerful way – “straight up,” confidently rooted in your own ground, rather than leaning over, always trying to get something from “out there.” The less you demand total fulfillment from relationships, the more you can appreciate them for the beautiful tapestries they are, in which absolute and relative, perfect and imperfect, infinite and finite are marvelously interwoven. You can stop fighting and shifting tides of relative love and learn to ride them instead. And you come to appreciate more fully the simple, ordinary heroism involved in opening to another person and forging real intimacy.

The Distinctive Chalukyan Architecture Featured in the Ladkhan Temple of Aihole

Chalukyan Architecture Featured in the Ladkhan Temple of Aihole

Ladkhan temple is a significant temple at Aihole because of the method of its construction which marks an important stage in the evolution of the Chalukyan style of architecture.

The temple is called Ladkhan Temple because a gentleman named Ladkhan lived in the temple and consequently the local populace began to call it so. If truth be told, early India scholars like Percy Brown and others considered this temple to be the earliest in Aihole and assigned a date 450 CE. On the contrary, modern researches have revealed that it is not that early and scholars designate it to seventh century CE.

Numerous sculptures of amorous couples in Ladkhan Temple of Aihole It has a distinctive plan and does not give the mark of a temple at all in the first instance. In reality, it looks like a mandapa with rows of pillars. The temple consists of a small garbhagriha attached to the rear wall of a square sabhamandapa and a rectangular mukhamandapa/em>. Hence, there is no pradakshinapatha. The interior of the sabhamandapa is divided into two parallel enclosures with the help of a row of pillars.

The garbhagriha has a Sivalinga and therefore it might have been a Siva temple initially. The rectangular mandapa in the front is smaller in size and provides an entrance. As there is a good image of Surya, some scholars consider it as a temple devoted to Sun. The garbhagriha entryway has Garuda in human form on the doorjamb.

The temple stands on a cellar with moldings and the uppermost molding is very thick, over which rises the wall of the temple. A similar molding is found at the roof level. But what is more interesting is the roof itself. The posterior portion has a square in two tiers with a slight slope in all the four directions. On them are placed stone rafters in reproduction of wooden roof of the earlier buildings. Similar is the roof of the front mandapa, which is rectangular. On the roof of the sabhamandapa is an upper garbhagriha opening to the east with pillars and pilasters without any sikhara. These architectural features have made this temple unique.

Ladkhan Temple - Earliest Temple in Aihole

There are a large number of sculptures on the pillars and the koshthas. Numerous sculptures of amorous couples and the jalandhras are very eye-catching. The roof of the mandapa has a naga holding a lotus. The upper garbhagriha wall has niches in which are found sculptures of Vishnu, Surya, and Siva. Bearing in mind all the architectural features the Ladkhan temple is considered to represent an important stage in the development of early Chalukyan art.

Zen Koan #19: Parable of The First Principle – Buddhist Teaching on Qualities Within

Zen Koan #19: Parable of The First Principle - Buddhist Teaching on Qualities Within Zen mind is one of those enigmatic phrases utilized by Zen edifiers to make you descry yourself, to transcend the words and wonder what your own mind and being are. This is the purport of all Zen edifying—to make you wonder and to answer that wondering with the deepest expression of your own nature. Fixating on what’s transpiring right here and right now, which is this physical body, whatever sensations there might be, and breathing.

Someone may think, “If a good person is the same as a bad person, wouldn’t this create a lot of confusion?” This problem does not arise for one who is deeply enlightened. The experience of one’s method and body disappearing can be due to two factors. It is still on a worldly level. It is not that they will not arise, but you will not worry about them.

Hold on to one method and go into it as deeply as possible. You are all cognizant that this Zen center is not an ideal environment for practice. It’s a spirit of taking what comes to us and really working with it. You can learn from that as well as anything else. Let it be simple. However, this creates a duality of subject and object. A carefree approach does not mean not caring about how you practice; it means considering anything that happens as natural.

Zen Koan: “The First Principle” Parable

When one goes to Obaku temple in Kyoto he sees carved over the gate the words “The First Principle”. The letters are unusually large, and those who appreciate calligraphy always admire them as being a mastepiece. They were drawn by Kosen two hundred years ago.

When the master drew them he did so on paper, from which the workmen made the large carving in wood. As Kosen sketched the letters a bold pupil was with him who had made several gallons of ink for the calligraphy and who never failed to criticise his master’s work.

“That is not good,” he told Kosen after his first effort.

“How is this one?”

“Poor. Worse than before,” pronounced the pupil.

Kosen patiently wrote one sheet after another until eighty-four First Principles had accumulated, still without the approval of the pupil.

Then when the young man stepped outside for a few moments, Kosen thought: “Now this is my chance to escape his keen eye,” and he wrote hurriedly, with a mind free from distraction: “The First Principle.”

“A masterpiece,” pronounced the pupil.

Buddhist Insight on Awakening the Dormant Qualities Within

Having the good fortune of formerly hoarded merit, those of the highest powers, with the condition of the holy guru, are unshackled just by realizing that they are already liberated. By awakening the dormant qualities within, the nature of mind should be gripped as being like space, according to Zen Buddhism. Instead of being less conscious, rather than running away or deluding yourself, what brings you face-to-face with life and awakens you up—Cultivate that. The British meditation teacher Christina Feldman writes in The Buddhist Path to Simplicity,

The third of the wise and skillful efforts is the effort to encourage, inspire, and cultivate the emergence of the healing, lovely, and wise qualities of heart and mind that lie dormant within us. Vision reminds us of our capacity to listen deeply, to be aware, and to realize our own potential for greatness of heart and mind. It is wise effort to nudge those seeds of potential from dormancy into life. In the midst of our impatience in a traffic jam, we surprise ourselves by cultivating loving kindness. As we turn away with aversion from the person begging from us on the street, we pause for a moment and remember the power of compassion. As we feel ourselves becoming seduced by our inner stories of resentment or bitterness, we remind ourselves of our own capacity to find balance and calm. In the moments when feel we feel most despairing, powerless, or confused, we remember that we have the capacity to listen deeply and find connectedness. We remind ourselves of the simplicity, calm, and peace possible, and we cultivate them.

Fragrant Banarasi Pilau Recipe

Banaras or Kasi or Varanasi---Religious Pilgrimage City on the Holy River Ganges

Banaras (also Kasi or Varanasi) is a tirtha, a religious pilgrimage city on the sacred Ganges River in northern India. Pilgrims come from all over India to cleanse in the river at Banaras.

Banaras is the most distinguished and consecrated of the seven ancient holy cities of India, stationed on the west bank of the Ganga (Ganges) in modern day Uttar Pradesh in India.

Lionized in numerous Hindu texts, it is the emphasis of a whole series of homologies which at the same time place it at the center of the world, make it the complete cosmos and position it as the ford or doorway to heaven or liberation (moksha). This last transition is thought to be ensured by dying there—the explicit aim of many ageing and sickly pilgrims. Theoretically, the entire city may consequently be viewed as one great cosmic cremation ground.

Banaras is also an ageless center of long-established Sanskrit learning, since 1916 Varanasi has been home to what is now the biggest residential university in India, Benares Hindu University.

Ingredients for Banarasi Pilau

  • Fragrant Banarasi Pilau Vegetarian Recipe 1.25 cups long grain basmati rice
  • 3 tsp vegetable oil
  • 1 tsp cumin seeds
  • 3 cloves
  • 3 cardamom pods
  • 2 bay leaves
  • 1 cup peas, thawed if frozen
  • 3/4 cup carrots, cut into small cubes (about 2 carrots)
  • 2.5 cups hot water
  • 2 strands saffron
  • 3/4 tsp salt, to taste
  • 2 tsp nuts, such as pistachios or cashews, sliced

Procedure for Banarasi Pilau

  1. Wash the rice in several changes of warm water and leave to soak in cold water for half an hour. Drain in a sieve.
  2. Heat the oil in a heavy pan and add the cumin seeds, cloves, green cardamom pods, bay leaves
  3. After about two minutes add the rice and stir gently on medium heat.
  4. When all the grains are coated with oil) this usually takes three minutes, add the peas and carrots and pour the hot water. Add the saffron and salt. Stir and adjust the salt if necessary before leaving to cook uncovered on medium heat for 10 minutes. When most of the water has been absorbed, cover, lower the heat and continue cooking for a further 8-10 minutes.
  5. Fluff up the rice with a fork prior to serving.
  6. Sprinkle over the sliced nuts and serve piping hot

Zen Koan #18: A Parable – Buddhist Teaching on the Heart of Compassion

Zen Koan #18: A Parable - Buddhist Teaching on the Heart of Compassion Zen Meditation should just be a part of life. Zen people verbalize about viciousness for the reason that when you arouse, the maps that hold your notions are suddenly gone. Our intention in receiving the precepts is not just to bring awareness to behavior, as one might expect, but also to explore, as the thirteenth-century Zen master Dogen Zenji suggests, who we think we are. This is why there are various levels in Zen Buddhism. However, during the vacation, their minds will scatter and their concentration will dissipate.

This is crucial to how Zen Meditation helps us, for the reason that everything we do is colored by our state of mind. For instance, if we feel good, then things seem interesting, and we want to learn; we’re intrigued. If someone needs a demon, a demon will appear; if they need the Buddha, then the Buddha will appear; if someone needs Zen practice, then Zen methods appear. Soon the snores may become hypnotic and repetitive, actually pleasant sounding. You have to hold it just right—not too tight, not too loose.

When it comes to practice, however, it is arduous for us to apply the same principle. Those who tend to talk non-stop generally have difficulty with practice, and also make it difficult for others to practice.

Zen Koan: “A Parable” Parable

Buddha told a parable in sutra:

A man traveling across a field encountered a tiger. He fled, the tiger after him. Coming to a precipice, he caught hold of the root of a wild vine and swung himself down over the edge. The tiger sniffed at him from above. Trembling, the man looked down to where, far below, another tiger was waiting to eat him. Only the vine sustained him.

Two mice, one white and one black, little by little started to gnaw away the vine. The man saw a luscious strawberry near him. Grasping the vine with one hand, he plucked the strawberry with the other. How sweet it tasted!

Buddhist Insight on The Heart of Compassion

In Zen Buddhism, the offering ends with the practitioners asking the deities to forgive them for any mistakes in the performance of the procedural, such as improperly reciting the words of the text. With a heart of compassion, a mother should contemplate carefully whether she should continue to be a working mother of a homemaker giving all the fondness and care for the well-being of her child. The American author Marc Ian Barasch writes in Searching for the Heart of Compassion,

At its root meaning of “to suffer with,” compassion challenges our tendency to flinch away from life’s too-tender parts. I know this much: when I acknowledge my own pain, I am much less squeamish about drawing nearer to yours. I see to acquire my compassion piecemeal, hurt by hurt. After a bad sprain and time spent on crutches, I became more sympathetic to the locomotion-impaired – the lame and the wheelchair bound, those who hobbled on canes and walkers.

Perhaps Thomas Aquinas was not far off when he claimed. “No one becomes compassionate unless he suffers.” I take this less as a mandate fro medieval masochism than an indecorous call to embrace our own authentic experience. If we’re not at home with the depth of our feelings, we’re likely to skirt the deep feelings of others.