English actor, comedian, writer, and director Stephen Fry in an interview with with Sameena Ali-Khan on ITV News:
The average sitcom in America is based on real jokes—real, terrific one-liners and fast-talking wit. In contrast, great British sitcoms are centered around characters, usually portraying a failure. The great comic heroes of Britain share a common theme—they all try to be grand in a world that lets them down. Whether it’s Captain Mainwaring in Dad’s Army, Harold Steptoe in the long-running sitcom Steptoe and Son, Tony Hancock, or Leonard Rossiter in Rising Damp, the same holds true for Basil Fawlty with his ties and blazers, and Alan Partridge and David Brent of “The Office.” they are all failures, hopeless characters who believe they are great but struggle to comprehend the modern world and fail to interact with it properly. In contrast, an American would never have a failure as a comic hero. The American hero is faster, sharper, and cleverer.
British and American sitcoms differ significantly in their tone, humor, and portrayal of characters. Notable distinctions are evident: British humor is marked by subtlety, wit, and dry humor, frequently employing wordplay, irony, and clever dialogue. British sitcoms tend to adopt a more understated and nuanced comedic approach. In my opinion, this subtlety often contrasts sharply with the overt nature of American humor, which highlights punchlines, physical comedy, and situational humor, characterized by a broader and more explicit comedic style.
In terms of characters, British sitcoms often depict individuals who are more flawed, socially awkward, and prone to failure. There’s a tendency to explore the ordinary aspects of life, finding humor in everyday situations. The focus lies on characters’ reactions to their circumstances, deriving humor from their consistent quirks and flaws. Conversely, American sitcoms frequently incorporate character development and growth into their storytelling.







The Kolaramma temple is a Chola temple as evidenced by an inscription of 1033 CE. According to this inscription, the Kolaramma temple was built at the order of 
The goddess in the sanctuary was
The temple is a center of Shakti veneration, a sect of ancient origins of the divine creative force of the
Much of life is dedicated to minimizing pain and maximizing ecstasy. We have become more and more sophisticated in our technology—we can live in space and map the human genome. Yet we have not been efficacious in our quest to culminate woefulness. Our age-old
According to Zen Buddhism, the only source of energy that can be subsidiary is commiseration, for the reason that it is safe. When you have commiseration, your energy is born from insight. It is not 

The ornamented windows called jalandhras which were added at a later date allow sufficient light and air to enter the interior of the temple. Over the sculptures and on the level of the roof are bracket figures known as silabalikas or madanikai sculptures. They represent beautiful damsels in various moods representing feminine charm and grace and perhaps these are the best creations of the Hoysala sculptors of the Belur temple. Vishnuvardhana’s 
Inside the garbhagriha is the sculpture of Chennakeshava or Vijayanarayana of about nine feet in height holding sankha, chakra, gada and padma in his hands, with a karanda makuta (crown) at the head. Bhudevi and Sridevi are standing at the bottom. Famous sculptors like Dasoja, his son Chavana, Nagoja, and others made this beautiful temple, the pride of Karnataka.
Despair and anxiety can never be worked through until one confronts them in their stark and full reality. One can never apply some center from the outside. Difficult as the task is, we must accept ourselves and our society where we are, and find our ethical center through a deeper understanding of ourselves as well as through a
Our struggle is obligatory, but it is eventually just our inclination to be present that counts and that this is the true effort of the way. Glad to know that you have time to meditate. In a country like America, where people can do so many things, and where there are so many distractions, to meditate is not easy. One gets older doing this and that, finding no real satisfaction in anything. Coming to accept that there is nothing wrong with me has been a very important part of growing up.
Just as gainsaying, the linear conception of time establishes an incipient area of ethical responsibility, so in taking up this responsibility we locate ourselves more entirely and firmly in history. On retreat, you are living with many people, which may create an uncomfortable environment. It is from this particular viewpoint that the rationale for this interpretation has developed. To paraphrase lines three and four: As soon as you