Recipe: Make Basmati Rice the Traditional Way

Traditional Basmati Rice Recipe

Arguably the most famous rice in the world, basmati rice is a variety of long grain rice renowned for its fragrance and delicate flavor. In Hindi, basmati literally means “queen of fragrance.” Characteristically, the grains of basmati rice are longer than usual forms of rice. The grains grow longer as they cook. They aren’t sticky and remain firm and separate.

The lyohe fertile plains in the Indian subcontinent have cultivated basmati rice since the dawn of civilization. The best basmati rice grows in the foothills of the Himalaya range of mountains in Northern India, where the rice crops are fed by the mineral-rich rivers sourced in the melting snow of the Himalaya mountains. The best of basmati rice, traditionally aged for several years before it is milled and sold, consists of lower moisture content and therefore rice cooks better.

Basmati Rice Recipe: Traditional Method

  1. Clean the rice. Soak it in water for five to seven minutes. Never soak Basmati for too long since the grains are softer than most varieties of rice and over soaking makes it soggy when you cook.
  2. Boil water first and then add the rice to it.
  3. Cook till the grains get tender. This generally does not take much time. You have to check repeatedly to make sure that the rice is not overcooked. Now, since I cook rice such that there is water to be drained, I have a specific measurement for water. But generally I pour enough to ensure that the rice is completely soaked and if the water gets less due to evaporation, I add some more so that it does not get sticky or dry.
  4. Drain the extra water. You can do this by letting the rice settle first at the bottom of the container and then drain as much water as you can on the top. There will be some water still remaining. Cover the container with a dish of the same size as the rim of the container and gradually pour out the rest of the water. Now, with the mouth covered with the dish/lid invert the container completely and let it rest on the kitchen slab near the sink for a while so that most of the water drains out and flows into the sink. (you don’t want a mess right! Also remember to be careful while draining the water. Hold the dish/lid with a cloth so that you don’t burn yourself.
  5. To ensure that the grains are completely separated add some cold (room temperature) water into the rice again and repeat step 4. I have found that this really helps and separates the grain.

I always cook rice by draining the extra water and thus the starch.

Sri Ramakrishna Paramahamsa Tells Stories: Thagya and Vairagya or the Parable of Akbar and the Fakir

Sri Ramakrishna Paramahamsa

Sri Ramakrishna Paramahamsa (1836–1886,) the eminent Hindu mystic of 19th-century India, used stories and parables to portray the core elements of his philosophy. The meaning of Sri Ramakrishna Paramahamsa’s stories and parables are usually not explicitly stated. The meanings are not intended to be mysterious or confidential but are, in contrast, quite uncomplicated and obvious.

In the Hindu and other traditions of the major religions of the world, parables form the language of the wise for enlightening the simple, just as well as they form the language of the simple for enlightening the wise.

The Parable of Akbar and the Fakir

During the reign of the great Mughal emperor Akbar, there lived a Fakir (a Muslim ascetic) in a particular forest near Delhi. Many used to resort to the cottage of this holy man. However, he had nothing to show hospitality to these visitors. He was in need of some money for this purpose and went for help to Akbar Shah, who was well known for his kindness towards holy men.

Akbar Shah was then saying his prayers and the Fakir took his seat in the prayer room. In the course of his prayers, the Fakir heard Akbar ask, “O Lord, do Thou grant me more wealth, more power, more territories!”

At once the Fakir rose and was about to depart from the waiting room when the Emperor beckoned him to be seated again.

At the end of the prayer, Akbar asked the Fakir, “Sir, you came to see me. How is it then that you wanted to depart without saying anything to me?”

The Fakir said, “The purpose of my visit to your Majesty, I need not concern you with that.”

When Akbar repetitively pressed him to say what he wanted, the Fakir at last said, “Your Majesty, many people come to me to be taught, but for want of money I am unable to see to their comforts. So I thought it well to come to your Majesty for help.”

Akbar then asked why he was about to go away without having told him the purpose of his visit.

The Fakir replied, “Why should I go begging to a person who is himself a beggar? I had better beg of the Lord Himself, if indeed it is not possible for me to do without begging altogether.”

Sri Ramakrishna Paramahamsa was born Gadadhar Chattopadhyay and initiated a religious school of thought that guided the formation of the Ramakrishna Order of monks that transformed into the Ramakrishna Mission under the leadership of his principle disciple Swami Vivekananda. Sri Ramakrishna Paramahamsa initially attracted several monastic and household disciples as a priest at the Dakshineswar Kali Temple.

Sri Ramakrishna Paramahamsa once said, “To work without attachment is to work without the expectation of reward or fear of any punishment in this world or the next. Work so done is a means to the end, and God is the end.”

Recommended Books

Om Purnamadah: Peace Prayer on the Wholeness of Existence & the Vastness of Being

Here is a peace prayer (shanti mantra) from the Brihadaranyaka Upanishad, one of Hinduism’s sacred books, that is an appropriate paean to the wholeness of existence.

Om Purnamadah: Shanti Mantra, Peace Prayer

Om Purnamadah Shanti Mantra (Peace Prayer)

Om purnamadah purnamidam
Purnat purnamudachyate
Purnasya purnamadaya
Purnamevavashishyate
Om shanti shanti shanti hi

Translation

  • Purnam-Adah: “That is complete.” Here, ‘that’ could refer to everything that is not part of one’s perceived sense of self (self-identify.)
  • Purnam-Idam: “This is complete.” Here, ‘this’ could refer to everything that is part of one’s perceived sense of self (self-identify.)
  • Purnat-Purnam-Udachyate: “From one complete entity, another complete entity is born.” The first entity refers to the ‘that’ and the second entity refers to the ‘this’—the two aspects of outer and inner sense of self-identity.
  • Purnasya Purnamadaya: “When a complete entity is taken away from a complete entity …”
  • Purnameva-Vashishyate: “… what remains is also complete.”
  • Om shanti shanti shanti hi “Let there be peace.”

Wholeness of Existence Acceptance: Om Purnamadah: Shanti Mantra, Peace Prayer

Interpretation: Wholeness of Existence & Acceptance

In our relationships, when we engage with one another, if we feel we lack in something or the other person lacks in something, then the engagement will be a transactional one. The very nature of such engagement might cause expectations and might foster feelings, thoughts, and actions that are selfish in nature.

When we engage with each other with the understanding that no one lacks anything and a consciousness that others are whole regardless of mere appearances, then all the feelings, thoughts, and actions fostered by such engagements are complete and selfless.

All of us must be giving, and by being available for others, we do not lose anything and remain complete. At the same time, the other who is receiving does not become “more” for her or she already is complete and stays complete.

Sri Ramakrishna Paramahamsa Tells Stories: Devotion and Grace or the Parable of Devicharan and Sarvamangala

Sri Ramakrishna Paramahamsa

Sri Ramakrishna Paramahamsa (1836–1886,) the eminent Hindu mystic of 19th-century India, used stories and parables to portray the core elements of his philosophy. The meaning of Sri Ramakrishna Paramahamsa’s stories and parables are usually not explicitly stated. The meanings are not intended to be mysterious or confidential but are, in contrast, quite uncomplicated and obvious.

In the Hindu and other traditions of the major religions of the world, parables form the language of the wise for enlightening the simple, just as well as they form the language of the simple for enlightening the wise.

The Parable of Devicharan and Sarvamangala

In a village, there once lived a poor Brahmin named Devicharan.

Devicharan was a very good man and he loved the Mother of the universe with all his heart. He worshipped the Mother in the form of Durga.

Very often, people asked Devicharan to go and read to them about the Mother from a book called the Chandi. In return, they gave him gifts of food or clothing. In this way, Devicharan was able to get enough to eat. He lived happily with his wife and daughter, and although they were so poor, they never felt sad.

Devicharan’s daughter was very beautiful and very good. Her name was Sarvamangala. Her parents taught her all they knew and she learned everything very quickly. She worked hard and whatever she did, she did well.

The time came when Sarvamangala was old enough to be married.

“You must look for a husband for your daughter,” Sarvamangala’s mother said to Devicharan. “But who will marry such a poor girl? We have nothing to give her.”

“Do not be anxious, my dear,” Devicharan replied.”

“Our daughter is as beautiful as Lakshmi and as gifted as Saraswati. Where is there a girl as lovely and as brilliant as Sarvamangala?”

“You are right,” agreed his wife. “She is good and beautiful, and skillful in everything she does. Her cooking is excellent. Above all, she loves to make people happy by serving them.”

“So we must not worry, about her marriage,” Devicharan said. “Mother Durga will do everything.”

A few weeks later, a good man who was a landlord paid a visit to the village, and he happened to see Sarvamangala. When he found that she was as good as she was beautiful he wanted her to be married to his son.

Devicharan agreed to this and Sarvamangala was married. She went away to her father-in-law’s house in the next village.

Devicharan and his wife felt sad and lonely, without their daughter, but they were happy that she was no longer poor and had a good husband.

Soon it was the month of the Durga Puja festival.

“Wife,” said Devicharan,” “Mother Durga has blessed our daughter with a good and wealthy husband. This year we must perform Durga Puja in our own house.”

“But, we are so poor” his wife replied. “We have barely enough to eat ourselves, how can we think of-doing the Puja here?”

“What?” cried Devicharan. “Is Durga the Mother of the rich and not of the poor? Will she not accept our humble offerings? We shall offer her whatever we can afford.”

The time of the festival drew near.

“We must bring home the image of the Mother,” Devicharan said to his wife.

“I wish Sarvamangala could come home, too,” his wife replied.

Devicharan took a fifty-paisa coin and went to the image-maker.

“I am going to perform Durga Puja in my house,” Devicharan said. “Please make me a small image of Durga. I shall pay you fifty paisa.”

“Have you lost your senses, Devicharan Babu?” the image-maker replied. “It costs a great deal of money to perform Durga Puja, and even the smallest image costs more than fifty paisa.”

“I have no money,” Devicharan explained, “but I love the Mother and I am grateful to her. I shall perform Durga Puja even if I worship her with nothing but flowers.”

The image-maker looked very surprised, and he became thoughtful.

“I understand your feelings,” he said. “Very well, I shall make an image for you, and you need not pay me for it.”

“I must pay you whatever I can afford,” Devicharan answered, and he made the man accept the fifty paisa.

As Devicharan and his wife prepared for the Puja, their thoughts turned very often to their daughter. Sometimes they wept because they felt so lonely without her.

“She will not be allowed to come to us now,” Devicharan said, “because she will be too busy. In that rich family they will perform Durga Puja in a big way and Sarvamangala will be a great help to them. We shall have to manage without her.”

The next day, however, Devicharan’s wife fell ill.

“What shall we do?” she wept. “Tomorrow the Puja begins, but I am too ill to move from my bed. Who will cook? Who will help us? Oh, Sarvamangala, we need you.”

Devicharan comforted his wife. “Don’t regret,” he said. “I shall go at once and see Sarvamangala. Perhaps her father-in-law will allow her to come, as you are ill.”

Devicharan went to Sarvamangala’s home, but she was not allowed to go back with him.

“I am very sorry,” her father-in-law said to Devicharan, “but my wife just cannot manage without her.”

Feeling sad and worried, Devicharan said good-bye to his daughter, and set out for home. He talked to Mother Durga as he walked along.

“The image-maker has made a beautiful image for me,” he said, “and tomorrow I want to worship you. Now my wife is ill and my daughter cannot come home. What am I to do?”

At that moment, Devicharan heard someone calling him from behind. It seemed to be his daughter’s voice. He stopped and looked back. To his surprise there was Sarvamangala hurrying towards him.

“Wait for me, Father,” Sarvamangala cried, “I am coming home with you.”

“How is it possible for you to come?” cried Devicharan. “What will your mother-in-law say?”

“Do not worry about anything, Father,” Sarvamangala replied. “Everything is arranged. Take me home with you.”

Now Devicharan and his wife were very happy. Their daughter had come home. She seemed more beautiful than ever and her face was bright with joy. She took care of her mother and did all the work of the house.

The same evening Sarvamangala helped her father to dress the image of Durga for the worship, which would begin the next day. The image stood in a decorated shrine and when they had finished they were amazed at its beauty. Sarvamangala’s mother now felt much better and she too praised the image.

“See how beautifully Sarvamangala has dressed the image,” she said. “And see how beautiful Sarvamangala is herself. We have no costly silks and jewels, yet our goddess and our daughter will find no equal anywhere for charm and beauty.”

The first two days of the festival passed happily. Devicharan worshipped Durga and his heart was filled with peace. The third day came, and this was the day when guests should be fed.

“Today we must give a feast to all the neighbors,” Sarvamangala said.

“Are you joking, child?” Devicharan replied. “How is it possible for us to give a feast? We have only a few fruits to offer.” “I am not joking, Father,” Sarvamangala said. “You have worshipped the Mother in your house. The worship will not be complete if you do not give a feast. I am going now to invite all the neighbors.”

Sarvamangala went to the neighbors’ houses. Devicharan prepared for the worship.

“Now that my daughter is married to a rich man’s son,” Devicharan thought, “she thinks” it is easy to give a feast.”

When Sarvamangala returned, Devicharan sat down to worship the goddess. Sarvamangala assisted him. The image seemed to be living and Devicharan’s face shone with joy. The whole room seemed to shine with light from the goddess.

At noon, the neighbors began to arrive. Sarvamangala had invited them all to partake of the fruit offerings made to the Mother.

“Just see what a prank the girl has played,” Devicharan said, feeling very worried.

“We shall look very foolish when they find we have nothing to offer them,” his wife said.

“Now you are both to stop worrying,” Sarvamangala said firmly. “Leave it all to me. I have invited them and I shall give them the offerings.”

Devicharan welcomed all the guests, and then went and sat before the Mother. “Let me not be put to shame, Mother,” he said. He remained sitting before the image for now he was afraid to face the guests.

Sarvamangala asked the guests to sit down, and then she served the fruit that had been offered to Durga during the worship.

“My father is poor,” Sarvamangala said, “so he cannot give you a big feast. It is his good fortune that you have come and request you to partake of these offerings.”

The guests began to eat the fruit.

“What delicious fruit!” they exclaimed. “We have never tasted anything like it. Just a little of it is quite satisfying. This is better than a big feast.”

With great happiness, the guests went home. They showered their good wishes and blessings upon Sarvamangala and her parents.

“Have the guests all gone?” Devicharan asked. “Did they laugh at me or curse me?”

“Nothing of the kind,” Sarvamangala said. “They were all very happy indeed.”

“The strange thing is,” Sarvamangala’s mother said, “half the offerings still remain, yet the guests were completely satisfied.” “It is indeed strange,” Devicharan said. “Mother has blessed us,” he added, and tears of joy flowed down his cheeks.

The following day was the last day of the worship. Devicharan felt sad, for today the Mother would leave his house. He sat before the image, offering the goddess a special dish made of rice, curds, and fruit.

As Devicharan sat there with his eyes closed he did not notice Sarvamangala enter the room. Quietly she began to eat the food that was being offered to the goddess. Then Devicharan opened his eyes. He was shocked to see his daughter eating the offering.

“What are you doing, daughter?” he cried.

Without saying a word, Sarvamangala ran from the room.

Devicharan asked his wife to prepare a fresh offering, and when it was ready, he again sat down to worship the Mother.

Again Sarvamangala crept into the room and ate up the food that was being offered, and again Devicharan asked his wife to prepare some more.

For the third time Sarvamangala crept into the room and ate up all the offering. Now Devicharan felt angry with her.

“What is wrong with you today?” he cried. “Do not spoil my worship again. Go away.”

Sarvamangala went to her mother.

“Father told me to go away, Mother,” she said, “so I am going.”

“Today you will have to go back to your father-in-law’s house, child,” her mother replied, “for the festival is over. When your father has finished the worship he will take you home.”

When Devicharan at last finished the Puja, he went to his wife.

“Where is Sarvamangala?” he asked.

“She was here a short while ago,” his wife replied. “She must be waiting for you to take her home.”

They searched and searched for Sarvamangala, but could not find her anywhere.

“The foolish girl must have gone alone to her father-in-law’s house,” Devicharan said. “I must go and see that she is safe.”

When Devicharan reached the house, he was relieved to see that his daughter was there.

“I scolded you for spoiling the worship,” he said to her. “Is that why you came away alone? Are you very angry with me?”

“What are you talking about, Father?” Sarvamangala replied looking very puzzled.

“Did you not eat up the offering as I was doing the Puja?” Devicharan said. “Did I not scold you?”

“But, Father, I have been here all the time,” Sarvamangala replied. “My father-in-law told you I could not go with you.”

Devicharan was astonished. Then he understood what had happened.

It was Durga herself who had come in the form of his daughter.

“Mother, Mother,” he cried, weeping tears of joy. “You came to me and I did not know you!”

Sri Ramakrishna Paramahamsa once said, “I see God walking in every human form. When I meet different people, I say to myself, ‘God in the form of the saint, God in the form of the sinner, God in the form of the righteous, God in the form of the unrighteous’.”

Recommended Books

Sri Ramakrishna Paramahamsa Tells Stories: Desire and Indulgence or the Parable of the Barber and the Seven Jars of Greed

Sri Ramakrishna Paramahamsa

Sri Ramakrishna Paramahamsa (1836–1886,) the eminent Hindu mystic of 19th-century India, used stories and parables to portray the core elements of his philosophy. The meaning of Sri Ramakrishna Paramahamsa’s stories and parables are usually not explicitly stated. The meanings are not intended to be mysterious or confidential but are, in contrast, quite uncomplicated and obvious.

In the Hindu and other traditions of the major religions of the world, parables form the language of the wise for enlightening the simple, just as well as they form the language of the simple for enlightening the wise.

The Parable of the Barber and the Seven Jars of Greed

A barber, who was passing under a haunted tree, heard a mysterious voice offer, “Will you accept seven jars full of gold?”

The barber looked around, but could see no one. The offer of seven jars of gold, however, roused his cupidity and he cried aloud, “Yes, I shall accept the seven jars.”

At once came the reply. “Go home; I have carried the jars to your house.”

The barber ran home in hot haste to verify the truth of his strange announcement. And when he entered the house, he saw the jars before him. He opened them and found them all full of gold, except the last one, which was only half-full.

A strong desire now arouse in the mind of the barber to fill the seventh jar also, for without it, his happiness was incomplete.

The barber converted all his ornaments into gold coins and put them into the jar; but the mysterious vessel was as before.

One day he requested the king to increase his pay, saying his income was not sufficient to maintain himself on. Now the barber was a favorite of the king, and as soon as the request was made the king doubled his pay.

All this pay he saved and put into the jar, but the greed jar showed no signs of filling.

At last, he began to live by begging from door to door, and his professional income and the income from begging all went into the insatiable cavity of the mysterious jar.

Months passed, and the condition of the miserable and miserly barber grew worse every day. Seeing his sad plight, the king asked him one day, “When your pay was half of what you now get, you were happy, cheerful, and contented. But with double the pay, I see your morose, careworn and dejected. What is the matter with you? Have you got ‘the seven jars’?”

The barber was taken aback by this question and replied, “Your Majesty, who has informed you of this?”

The king replied, “Don’t you know that these are the signs of the person to whom the Yaksha consigns the seven jars. He offered me also the same jars, but I asked him whether his money might be spent or was merely to be hoarded. No sooner had I asked this question then the Yaksha ran away without any reply. Don’t you know that no one can spend that money? It only brings with it the desire of hoarding. Go at once and return the money.”

The wise king’s words brought the barber to his senses. He returned to the haunted tree and said, “Take back your gold, O Yaksha.”

The Yaksha replied, “All right.” When the barber returned home, he found that the seven jars had vanished and mysteriously as they were brought in, and with it had vanished his life-long savings.

Sri Ramakrishna Paramahamsa concluded the story by instilling some wisdom into the hearts and minds of his disciples, “Such is the state of some men in the Kingdom of Heaven. Those who do not understand the difference between real expenditure and real income lose all they have.”

Sri Ramakrishna Paramahamsa once said, “Rain-water never stands on high ground, but runs down to the lowest level. So also the mercy of God remains in the hearts of the lowly, but drains off from those of the vain and the proud.”

Recommended Books

Traditional Recipe: Carrot Halwa or Carrot-Milk Concoction

Carrot Halwa or Carrot-Milk Concoction

In the Indian tradition, women learn how to cook from their mothers and their mothers-in-law. Historically, women learned how to run a household and women in elite and upper middle-class families oversaw servants who did the cooking. Every home therefore has collections of interesting traditional recipes. The family’s recipes tell a story, the story of how people lived and cooked at a particular point in time.

The nuances in recipes tell about a family’s place in the social order, their enthusiasm for serving others food as they engage with others in their social class. In India, food can be anything from hunger-satisfier, hedonistic stimulation or merely an object of intellectual and social curiosity that delights the mind and body far from the family’s dining table with one overwhelming bite after another.

Carrot Halwa is a rich concoction of milk-boiled grated carrot and syrup flavoured with cardamom powder. It is a very popular dessert in several parts of India. Across India, the carrot halwa is a cultural phenomenon. Made with various practices and conventions, flavor preferences of carrot halwa is influenced by cultural factors. And these delightful tastes evolve over time with social intermingling and cross-breeding of cooking traditions.

Ingredients

  • Carrot: 2 lb, finely grated
  • 2% Milk: 1/2 of the volume of carrot
  • Sugar: 1/2 of the volume of carrot
  • Half-and-Half: 1/2 a cup
  • Ghee (Clarified Butter): 5 tsp (can substitute with butter)
  • Raisins: 5 tsp
  • Cashew nuts, pistachios, almonds: 10 tsp (broken into small pieces)
  • Cardamom powder: 1/2 tsp

Method

  1. Take a sauce pan and heat 2 teaspoons of ghee; fry raisins and cashew nuts on low heat until lightly roasted. Keep aside.
  2. In the same sauce pan, add grated carrot and milk and boil on a low flame until all the milk evaporates and the mixture looks dry. Keep the sauce pan open during this process; keep stirring regularly.
  3. Add sugar and half-and-half to the boiled carrot, keep stirring until all the sugar melts.
  4. Continue to stir regularly until about 80% of water in the sugar has evaporated.
  5. Add cardamom powder, the remainder of ghee and the roasted raisins and cashew nuts. Stir thoroughly and continue to evaporate the rest of the water in the mixture.
  6. When most of the water has evaporated, switch off the flame and stir. Do not allow the mixture to become hard. Remove the sauce pan from the stove, close the sauce pan and keep aside for 10 minutes.
  7. The carrot halwa is now ready. Serve it warm or chilled.

Notes

  • Makes 5 servings
  • Cooking time: about 75 minutes; slower the cooking, tastier the halwa.
  • Adjust sugar based on preference.
  • Grated carrot can be substituted with grated white pumpkin for another very popular dessert known as Kashi Halwa (named after the town of Kashi, a legendary city in the location of modern-day Varanasi and a prominant pilgrimage centre in India).
  • To make Carrot Burfi, continue to heat the preparation on low flame. Take a plate and apply some ghee/oil to the surface of the plate and transfer the mixture on to the plate to prepare a fairly dense bed. After the halwa solidifies down, cut the bed into rhombus shaped blocks using a knife.

Sri Ramakrishna Paramahamsa Tells Stories: Devotion & Consecration or the Parable of the Milkmaid

Sri Ramakrishna Paramahamsa

Sri Ramakrishna Paramahamsa (1836–1886,) the eminent Hindu mystic of 19th-century India, used stories and parables to portray the core elements of his philosophy. The meaning of Sri Ramakrishna Paramahamsa’s stories and parables are usually not explicitly stated. The meanings are not intended to be mysterious or confidential but are, in contrast, quite uncomplicated and obvious.

In the Hindu and other traditions of the major religions of the world, parables form the language of the wise for enlightening the simple, just as well as they form the language of the simple for enlightening the wise.

The Parable of the Milkmaid

A milkmaid used to supply milk to a Brahmin priest living on the other side of a river.

Owing to the irregularities of the boat service, the milkmaid could not supply him milk punctually every day.

Once, being rebuked for her going late, the poor woman said, “What can I do? I start early from the house, but have to wait for a long time at the river bank for the boatman and the passenger.”

The priest exclaimed, “Woman! There are people who cross the ocean of life by uttering the ‘name’ of God, and can’t you cross this little river?” The simple-hearted woman became very glad at heart on learning this easy means of crossing the river.

From the following day, she started to supply the milk early in the morning, as she was supposed to.

One day the priest said to the woman, “How is it that you are no longer late now-a-days?”

The milkmaid replied, “I cross the river by uttering the name of the Lord as you told me to do, and don’t stand now in need of a boatman.”

The priest could not believe this. He said, “Can you show me how you cross the river?” The woman took him with her and began to walk over the water. Looking behind the woman saw the priest in a sad plight and said, “How is it, Sir, that you are uttering the name of the God with your mouth, but at the same time with your hands you are trying to keep your cloth untouched by water? Your do not fully rely on Him.”

Sri Ramakrishna Paramahamsa concluded the story by instilling some wisdom into the hearts and minds of his disciples, “Entire resignation and absolute faith in God are at the root of all miraculous deeds.”

Sri Ramakrishna Paramahamsa once said, “You can force your demands on God, he is in no way a stranger to you, he is your eternal companion.”

Recommended Books

Difference between a Hotel and a Motel

Difference between a Hotel and a Motel

The commonly acknowledged distinction between the definition of a hotel and that of a motel is based upon the means of access to the rooms.

Most hotels have interior hallways to the rooms. A guest is expected to leave his car in the hotel’s parking lot, enter through the hotel’s lobby, perhaps take an elevator, and walk down a hallway to access his room.

In contrast, motels consist of exterior corridors. Motel rooms open directly into a parking lot or a balcony overlooking the parking lot. A guest could park his car directly in front of his room and enter his room. Motels do not have hallways or internal corridors within the property.

The term ‘motel’ originated as a portmanteau for ‘motorist hotel.’ In the 1920s, with the development of the freeway system in the United States, many motorists needed to park their vehicles and stay for the night during their long-distance road journeys. Located along (or close to) these freeways, the motels provided accommodations to motorists who needed rest before proceeding. In this context, a hotel is a residential property inside a city of destination where travelers stay for the duration of their travel.

Another common understanding is that motels are low-priced hotels.

All you wanted to know about Carnival Cruises’ ‘Cruise Elegant’ and ‘Cruise Casual’ Dress Codes

Dress Code Requirements on Carnival Cruises

One of the topics that continues to be a mystery to many cruisers and leads to many threads on the cruisers’ internet forums is the topic of dress codes for the “formal nights” organized on many cruises.

Almost all cruise lines have a dress code of some type. If a tuxedo is required on a particular formal night, some cruisers might want to get along with just a suit. Interestingly, cruisers who follow the dress code tend to tattletale and frequently complain of leniency and lax enforcement by the cruise lines.

Historically, cruise ships and premium cabins in ocean liners required that their guests and patrons wear formal dresses after 6:00 pm in all the public areas of the ship. Men regularly wore a white tie and ladies wore evening gowns. Over the decades, the dress codes have become less formal. During the 1960s, when cruise lines started appealing to budget travelers that might not own formal dresses, cruise ships designated some evenings as formal evenings and others as informal evenings. Cruise lines that appealed to the mass market began to loosen their dress codes and required formal dresses of guests that dined only in the main dining room. Different cruise lines relaxed dress codes to different levels, created many variations between cruise lines, and these factors resulted in much confusion.

Carnival Cruise - Cruise Elegant Dress Code

Cruise Elegant Evenings on Carnival Cruises

On carnival cruises, most evenings are casual nights requiring patrons to adhere to their ‘Cruise Casual’ dress code. Some nights, depending on the length of the cruise, tend to be formal nights—Carnival calls them ‘Cruise Elegant’ evenings. The number of evenings designated Cruise Elegant depends on the length of the cruise:

  • 1-day cruises: no Cruise Elegant evenings
  • 2- to 5-day cruises: one Cruise Elegant evening
  • 6-day or longer cruises: two Cruise Elegant evenings

Carnival usually schedules the first Cruise Elegant evening for the second or third day of the cruise and the last Cruise Elegant evening the second or third day prior to the end of the cruise, with the rest of the Cruise Elegant evenings spread out during the cruise.

The Lido restaurants are exempt from the dress code requirements during Cruise Elegant evenings.

Carnival Cruise - Cruise Casual Dress Code

Dress Code / Requirements on Carnival Cruises

  • Cruise Elegant: Shorts, t-shirts, jeans, flip flops, bathing suit attire, sleeveless shirts for men, sportswear and baseball hats are not allowed in the restaurants.
  • Cruise Casual: Gym or basketball shorts, flip-flops, bathing suit attire, cut-off jeans and men’s sleeveless shirts are not allowed in the restaurants.

Sri Ramakrishna Paramahamsa Tells Stories: Divine Grace or the Parable of Jatila and Madhusudhan

Sri Ramakrishna Paramahamsa

Sri Ramakrishna Paramahamsa (1836–1886,) the eminent Hindu mystic of 19th-century India, used stories and parables to portray the core elements of his philosophy. The meaning of Sri Ramakrishna Paramahamsa’s stories and parables are usually not explicitly stated. The meanings are not intended to be mysterious or confidential but are, in contrast, quite uncomplicated and obvious.

In the Hindu and other traditions of the major religions of the world, parables form the language of the wise for enlightening the simple, just as well as they form the language of the simple for enlightening the wise.

The Parable of Jatila and Madhusudhan

In a village in India, there was once a little boy whose name was Jatila.

Jatila’s mother was a widow and had no one to help her. She earned a little money by spinning yarn. She and Jatila always had just enough to eat, but they were very poor.

Every day Jatila’s mother prayed to Sri Krishna. She asked Sri Krishna to help her look after her little boy because she wanted him to grow up into a strong and good man.

When Jatila was old enough, his mother sent him to school. The school was far away in the next village and to get there, Jatila had to walk through a forest.

The tall trees in the forest made the footpath very dark, and Jatila felt afraid. Some of the trees had long low branches that looked like arms trying to catch him. Other trees had creepers growing on them, and the stems of the creepers looked like huge snakes.

“I wish I had someone with me,” Jatila thought to himself. “It wouldn’t be so bad if I had someone to talk to.” However, Jatila was alone, so he hurried on and reached the school as quickly as he could.

Jatila was happy at school. He liked the teacher and during playtime, he had some fun with the other boys. When school was over, however, and it was time to go home, Jatila suddenly remembered that he would again have to walk through the forest. It was much worse this time. The forest was darker than ever and there were strange shadows everywhere. There were those arms, always trying to catch him! In addition, there were those things, like snakes climbing up the trunks of the trees. Jatila began to run. He ran and ran all the way through the forest and did not stop until he reached home.

As soon as he saw his mother, Jatila began to cry.

“What has happened?” enquired his mother. She took him on her lap to comfort him. “Did the teacher scold you?”

“Oh, no, Mother,” replied Jatila. “I was happy at school. But it is the forest, Mother. It’s such a long way through the forest, and I’m all alone, so I feel afraid.”

“But there’s nothing to be afraid of in the forest,” said his mother. “You’ll soon get used to it.”

“No, Mother,” said Jatila. “I feel very frightened. Please send someone with me.”

“But whom can I send, Jatila?” replied his mother. “There is no one who can go with you.”

Jatila’s mother closed her eyes and seemed to be thinking very hard. Suddenly she opened them again and her face lit up with a smile.

“Of course!” she cried. “How silly of me to forget. There is your big brother in the forest. He will go with you and take care of you.”

Jatila was astonished. “Big brother?” he said. “Have I got a big brother, Mother?”

“Yes, child,” she said. “His name is Madhusudhan.”

“But where is he, Mother?” asked Jatila. “Why doesn’t he live here with us?”

“He lives in the forest,” his mother answered. “He looks after the cows there. But if you call to him tomorrow on your way to school, I am sure he will leave his cows and walk with you through the forest.”

Jatila was very happy. Now, instead of feeling afraid of the forest he was longing for the next day to come so that he could run quickly to the forest and see his big brother there.

Early the next morning Jatila said good-bye to his mother and went off to school. His mother stood at the door of her cottage watching him as he hurried eagerly towards the forest. “Oh, Madhusudhan,” she prayed, “Please take care of my little boy.”

As soon as Jatila entered the forest, he stood still. “Oh, big brother Madhusudhan,” he called. “Please come and walk with me through the forest.”

Jatila waited and listened, but no one answered, and no one came. “He must be a long way off,” thought Jatila. “I’ll call louder.” So again, he called, as loud as he could, but still no one came. “I know he is here in the forest,” Jatila said to himself, “and I know he will come because Mother said he would.”

Repeatedly Jatila called to his big brother, but still no one came.

Jatila began to cry. “Mother said you would come,” he sobbed. “Where are you?”

At that moment, Jatila heard the sound of a flute… Such sweet music he had never heard. The music came closer and closer, and then at last Jatila saw a boy coming towards him down the forest path. He was a most handsome boy. On his head, he wore a crown, bright and beautiful, with a peacock’s feather in it. He was playing the flute, and he seemed to shine with happiness.

Jatila joyfully ran to the handsome boy. “Are you Madhusudhan, my big brother?” he asked. “Mother said that if I called to you, you would leave your cows and walk with me through the forest. I have to go to school, you see.”

“Yes, I am your big brother,” replied the boy. “Come along, I’ll walk with you through the forest.”

Jatila walked with his big brother and told him about his life at home and how glad he was that he was now big enough to go to school. He quite forgot how frightened he had felt the day before.

When they came to the end of the forest path, Madhusudhan stopped. “I shall go back now,” he said. “But will you walk with me again in the evening?” Jatila asked. “I shall feel very frightened if you don’t come.” “Oh, yes,” replied Madhusudhan. “Just call to me and I will come to you.”

Every morning and every evening, as soon as he reached the forest, Jatila called to his big brother. And always his big brother came and walked with him. Jatila talked to him happily about his mother and about everything that happened at school, and Madhusudhan listened and sometimes played his flute.

One evening on his way home from school, Jatila told his big brother about a feast they were going to have at school. The teacher had said that every child must bring something to the feast. “And tomorrow,” Jatila explained, “I shall have to say what I am going to take.”

“Well, what are you going to take?” asked Madhusudhan.

“I don’t know,” replied Jatila. “We are very poor, you see. Perhaps I won’t be able to take anything.”

“Ask Mother about it,” Madhusudhan said. “She will know what to do.”

When Jatila asked his mother what he would be able to take to the feast, she looked very sad. “I have nothing to give you, Jatila,” she said. “And I have no money, so I cannot buy anything either. Why don’t you ask your big brother about it?”

“He told me to ask you about it,” Jatila replied. “He said you would know what to do.”

His mother smiled. “Did he?” she said. “Very well. Tell him that I depend upon him.”

The next morning on his way to school, Jatila explained to his big brother that his mother was so poor to send anything to the feast. “She said she depended upon you,” Jatila added.

“All right,” Madhusudhan replied laughing, “tell your teacher that you will bring curds to the feast. And tell him that you will bring enough for everyone.”

Jatila laughed. “It will have to be a very big pot of curds then,” he said, “because there will be about twenty of us.”

The day of the feast came and Jatila ran happily to meet his big brother in the forest. He was eagerly looking forward to taking that big pot of curds to school. His big brother came walking down the forest path as usual, and he brought with him a pot of curds.

“Give this to your teacher,” said Madhusudhan as he gave it to Jatila.

Jatila took the pot but he looked at it sadly. “It was not a big pot at all. It was a very small pot. There would be curds only for about six people,” he thought.

Madhusudhan looked at Jatila’s sad face. “Give it to your teacher,” he said. “It will be enough.”

When Jatila’s teacher saw the small pot of curds, he was very angry. “You promised to bring curds for everyone,” he said, “so I did not arrange for any more. What is the use of this small pot of curds when there are so many of us? You have spoiled the feast, Jatila.”

The small pot of curds was placed on one side. The feast was nearly over when the teacher remembered it. “We should not waste the curds,” he said. “A few children may have some. Jatila, bring the pot of curds.”

Jatila took the pot and gave some curds to three or four children.

Then he noticed something very strange. As he took curds out of the pot, it filled up again. Therefore, he walked down the two rows of children and put plenty of curds on each child’s leaf-plate.

The teacher watched Jatila in amazement. “Jatila,” he cried, “you have given curds to everyone. How did you do that? I thought you brought only one small pot of curds.”

“Yes, sir,” Jatila replied. “This is the pot. But look, it is still full.”

“Impossible!” cried the teacher. “Where did you get this pot of curds form? Tell me at once.

“Sir,” said Jatila, “my big brother gave it to me.”

“Your big brother? I didn’t know you had a big brother,” the teacher said.

“I didn’t know either,” replied Jatila, “until I began to come to school. He walks with me through the forest, you see.”

“But where does he live? What is his name?” asked the teacher, feeling greatly puzzled.

Jatila then told his teacher all about Madhusudhan—what he did, what he looked like, and how sweetly he could play the flute.

“Jatila,” said the teacher, “I would like to see this big brother of yours. Can I go with you to meet him?”

“Oh, yes, of course,” replied Jatila eagerly. “Come with me to the forest this evening. I have only to call him and he comes to me.

When it was time for Jatila to go home, his teacher went with him to the forest. Jatila called as usual to Madhusudhan, but he did not come. Repeatedly Jatila called, but still he did not come.

“I think, Jatila,” said the teacher, “that you have not been speaking the truth. You have no big brother who lives in the forest.”

Jatila began to cry. “It is true. It is true,” he wept. “I have a big brother, I tell you. His name is Madhusudhan. He gave me the curds.”

“Where is he, then?” said the teacher.

“Oh, big brother Madhusudhan,” called Jatila loudly. “You must come to me now. You must. If you don’t, my teacher will never believe that I have spoken the truth.”

At that moment, Jatila heard the sound of a flute. “There!” he cried, “He is coming! See how beautifully he plays the flute.”

The teacher listened to the flute and eagerly looked around for the player. Still Madhusudhan did not come. Instead, a beautiful voice spoke from somewhere among the trees of the forest. “Jatila,” said the voice, “it will be a long time yet before your teacher is able to see me. You have seen me, Jatila, because of your mother. She is pure, good, and full of faith. She begged me to take care of you in the forest and that is why I came to walk with you every day. You have seen me because your mother had faith in me and because you had faith in your mother.”

Then, at last, Jatila understood. His big brother who lived in the forest really was Madhusudhan.

Sri Ramakrishna Paramahamsa once said, “You see many stars in the sky at night, but not when the sun rises. Can you therefore say that there are no stars in the heavens during the day? Because you cannot find God in the days of your ignorance, say not that there is no God.”

Recommended Books