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Stepped Tank of the Vijayanagara Empire in Hampi, Karnataka

Stepped Tank, Hampi from the Vijayanagara Empire

Archaeological Survey of India and the Karnataka State Department of Archaeology and Museums have been conducting archaeological excavations at Hampi for the past many years and have discovered many interesting structures and antiquities of the Vijayanagara Empire, not known so far.

The Vijayanagara empire of South India extended over a massive area and assimilated diverse ethnic, linguistic, socioeconomic and political groups. Beyond the majestic bounds, Vijayanagara was also part of multifaceted subcontinental political and cultural nexus, with cooperative and antagonistic relations with bordering states and empires.

During such an excavation in 1984-85, officers of the Archaeological Survey of India laid bare a beautiful tank that was completely under the surface of the soil and was not at all visible from the outer surface. This is perhaps the most beautiful stepped tank at Hampi discovered so far. Archaeologists have been dated to fifteenth century AD.

The tank built of stone is a square structure with five steps. The steps become smaller as they go down; thus the topmost step is the longest while the lower most is the smallest. From the top, the length of each side of the step is 20.7, 16.10, 12.65, 9.2 and 6.9 meters respectively. Each side has very attractive pyramidal shaped flight of steps to get into the next lower side. These steps are 9, 7, 5, 3 and 1 respectively in each side and thus the entire tank has one hundred steps. Each tier is 1.05 meters and the total depth is 6.65 meters. The base of the tank has stone slabs below that is sand to purify the water. The symmetry of the pyramidal shaped steps at each tier of the tank makes the structure unique and elegant. After the construction of this stepped tank, the engineers working at Hampi had made proper arrangements for the flow of fresh water into the tank. It is believed that this tank was used for religious purposes including the teppotsava of the deities.

That the project of reclaiming cultural legacies as part of a regional or national inheritance was informed by a series of complex considerations of both affective pleasure and identity politics, wherein the idea of a reinvented tradition assumed a certain significance, is now well known.

Another unique feature of this tank is the technique of its construction. Each stone used for the construction has numerals, symbols and Kannada letters on it. For example letters u, da, tu and pa represent north (uttara), south (dakshina), east (turpu), and west (paschima). In five stages there are 36 steps and each step has been assigned a Kannada letter beginning from tna upto jna and ti. In addition to these numerals and Kannada letters some symbols also have been used, according to the four directions. Another interesting feature is the mark of measurement through symbols. Thus the stepped tank (pushkarini) is not only beautiful and elegant but also supplies the technical methodology adopted by the architects to transplant it from the workshop to the spot of the tank.

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Ever Heard of Professional Mourners and Weepers: “Rudaali” Culture of Moirologists in Rajasthan

Professional Mourners - Rudaali from Rajasthan

Inequalities and Diversities Define Indian Society

Moirologists in Rajasthan, India Caste-like classifications exist in many cultures, although without the fine grades of taxonomy observed in India. India, the land of numerous customs and precepts defined along the lines of gender, religion, caste, class, ethnicity and language, sequentially brings about a relation of disparity through them. These distorted relationships collectively shape the identity of every person, through his or her associations with others and the social atmosphere. Individuality interplays with the gender of the individuals (masculine or feminine), declaring the dogma functioning in the societal milieu. A mainstream Hindu group who were against any change in traditions.

In a socially segregated society, the rank and the status enjoyed by women mirror the social order. Indian culture is a ‘caste society.’ Caste, a qualified status, is a rigid system of imbalanced associations specified by birth, endogamy and associations through ceremonial sacraments. Caste divides society along the lines of jati (a birth-status cluster), hierarchy (order and rank) and interdependence (division of labor linked to hierarchy). Indigenous groups are politicized religious communities that mark social and cultural variances between groups of people. These communities identify their caste status through division by birth, endogamy and interdependence through ritual services. Public policy in modern India showcases affirmative action systems intended to diminish inequality that stems from a centuries-old caste constitution and history of incongruent treatment by gender.

Feminism in India

The Indian society is divided up into groups that are hierarchically interrelated, with some rendered higher status than others. Classical texts talk about four castes—priests, warriors, merchants, and servants—but administration censuses and anthropological surveys have identified hundreds in South Asia. Membership in one of these groups is dependent upon birth.

'Rudaali' women are hired as professional mourners Dalits are a group of people conventionally regarded as untouchable within the Hindu caste pecking order. Contemporary India is witnessing an unparalleled rise and spread of the Dalit development.

According to a custom, in certain areas of Rajasthan, women are hired as professional mourners after the death of a male relative. These women are referred to as a ‘rudaali’ (roo-dah-lee), literally translated as a female weeper. What differ are the details that make the substance of human action and human conceptualization. The framework, within which concepts materialize and the contexts where they travel to, needs expression.

Class and Caste and Praxis: An analysis of the Rudaali Culture

An analysis of the Rudaali Culture Rudaalis in turn publicly express the grief of family members who are not permitted to display emotion due to social status. The ‘rudaalis’ make a scene crying out loud. The impact of their mourning also compels other people at the funeral to cry.

Always dressed in black, they have to sit and cry, crying out loud, beating the ground beating their chests screaming and crying. They are professional tear shedders. They get the details of the dead person, his or her near and dear ones.

Rudaali is one of those disreputable orthodox practices where bereavement was required expressions of unrestrained sentiments by rolling on ground along with songs in praise of the dead. Mostly, women who live in grave poverty and belong to the lower castes are forced to turn out to be Rudaalis.

The socio-cultural custom of hiring a rudaali throws light on the dialectical association between the upper caste and the lower caste in Rudaali. Hiring a rudaali is a status symbol and augments family pride. That the rudaali provides a funeral service in the face of upper caste women being incapable to declare their sorrow hits hard on the gender ideologies scheming obsequies among the caste. Caste defines the social status of women as pure or impure in the community.

Through the gendering of death rituals, women mourners or rudaalis verge as complicated modes of amusement for the upper classes. Rudaali throws light on the agonizing experiences of Shanichari, a widow whose life has been disturbed by hardships. Through heartrending vignettes, Lajmi deplores the appalling life of Shanichari who ultimately becomes a rudaali, giving vent to her sorrows. Meaningfully, while most feminists were disparaging of the state downgrading its commitment to the poor and vulnerable, there were conflicting views.

Kalpana Lajmi’s Movie Rudaali

Feminism endeavors to consider and solve the numerous gender-based problems. It interrogates the pre-conceived expectations about the roles that men and women should have in life. In literary text, feminism brings to scrutiny the representations of gender roles, which tend to enforce social norms, customs, conventions, laws and expectations on the grounds of gender bias.

Shanichari has always resisted the unfairness meted out to her. Toughened by the harsh realities, she can hardly shed a tear, let alone cry. Females are not required to be educated by the guideline which is adopted for men. Women have but one resource, home. The end and aim of her life is to nurture the domestic affections, to care for, to comfort, and exercise her little supervision over household economies. These insights of women’s liberation and autonomy are deeply ingrained in the Indian women’s circumstances within the socio-cultural and economic spaces and archetypes of the country.

These rituals thus uncover the cockeyed gender equations with the women of the lower caste and class consented to serve as rudaalis. On the other hand, aristocratic women, who are kept sheltered, cannot express their sorrow in public, inhibited by their social ranking. That women and not men are chosen to be mourners also exposes the gender inequalities operating within a casteist and class society. Lamentation is gendered and women become the role bearers.

Mourning as Allegory in Kalpana Lajmi’s Rudaali

Mourning as Allegory in Kalpana Lajmi's Movie Rudaali Kalpana Lajmi‘s movie Rudaali is an adaptation of Mahasweta Devi‘s short story, Rudaali. Published in English in 1997, Devi’s short story explains the plight of Sanichari, a woman whose suffering and personal loss informs her work as a professional mourner. Devi offers a emotional account of how this job allows Sanichari to gain a degree of independence and control over her life. Rudaali, the sorrowful tale of womenfolk fated to be funeral-goers, outlines the picture of a habit practiced by the aristocratic families of landlords and noble men, of hiring rudaalis (female mourners) to grieve over the death of their family members.

Rudaalis belonging to the lower castes and classes are convened on these circumstances, for the upper classes never openly convey their grief. Agency and autonomy are always endorsed within specific structures of constraints. The relevant point is that organizations thereby do get redefined. Dressed in black with frazzled hair, the rudaalis shed tears copiously, bemoaning over the dead by dancing sporadically and raucously admiring the deceased. Rudaali is a modern woman who fulfills her individual dreams instead of matrimonial contentment. Rudaali is a determined woman who is over-ridden by individuality and her own well-being. The movie is undeniably a subtle satire on the brutal practices that find expression within the diverse life cycle rituals, be it even the obsequies. These outmoded traditions are the offshoots of a dismembered society, where rituals are cultural power resources.

The custom of employing fake mourners, known as moirologists, begins from the Middle East and China. Professional mourning or paid mourning is a regularly historical occupation practiced in Mediterranean and Near Eastern cultures, and many other parts of the world. Professional mourners, also called moirologists are remunerated to grieve or provide an eulogy.

Notes: Rudaali (1992) was directed by Kalpana Lajmi and produced by the National Film Development Corporation of India & Doordarshan, the Indian public service broadcaster. Rudali is based on a story by the Bengali fiction writer and social activist Mahasweta Devi. Dimple Kapadia, Raakhee, Raj Babbar, Amjad Khan star in Rudaali.

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St. Louis Points of Interest: “There’s More than Meets the Arch”

St. Louis Points of Interest:

Here are just some of the hundreds of ways you can explore St. Louis, home of a thousand one-of-a-kind restaurants, an unrivaled music scene and cultural attractions known the world over:

  1. Ride 630 feet high to the top of the Gateway Arch. The Gateway Arch sits along the west bank of the Mississippi River. It is one of the most iconic monuments in the United States and takes its name from the city’s role as the “Gateway to the West” in the westward enlargement of the United States in the 19th century.
  2. The Gateway Arch of Saint Louis Follow the footsteps of explorers Lewis & Clark for the 200th anniversary of the Louisiana Purchase. The Louisiana Purchase is an 1803 agreement by which the United States bought from France that part of France’s North American empire roughly defined by the Missouri and Mississippi River watersheds. The deal doubled the size of the nation, creating what Thomas Jefferson termed an “empire for liberty.” Between 1804 and 1806, Captain Meriwether Lewis and Lieutenant William Clark explored the Louisiana Purchase and the Pacific Northwest. The expedition was a key chapter in the history of American exploration.
  3. Explore Forest Park—refurbished for the 100th anniversary of the 1904 World’s Fair. From May through December of 1904, St. Louis, Missouri presented the biggest World’s Fair ever conceived, with thousands of buildings and concessions stretched throughout a meticulously designed and methodically organized park landscape.
  4. Drive Old Route 66. The Mother Road makes some of its most fascinating stops in St. Louis.
  5. See some of St. Louis’ world-class free attractions, including the Art Museum, Zoo, Science Center and History Museum.
  6. Marvel at one of the world’s top gardens—the Missouri Botanical Garden. Also called Shaw’s Garden, this botanical garden is most notable for its Climatron, a geodesic-dome greenhouse in which 1,200 species of plants are grown under computer-controlled conditions simulating a rainforest.
  7. Free your inner child at the Magic House, City Museum and other kid-friendly attractions.
  8. Visit an ancient Indian civilization at Cahokia Mounds. Cahokia Mounds is an archaeological site occupying some 5 square miles (13 square km) on the Mississippi River floodplain opposite St. Louis, Missouri, near Cahokia and Collinsville, southwestern Illinois.
  9. Cheer for the St. Louis Cardinals, one of the most successful teams in baseball history or take a seat for exciting Rams football and Blues hockey games.
  10. Cathedral Basilica of Saint Louis Count the mosaics at the beautiful Cathedral Basilica of Saint Louis. The Cathedral Basilica of Saint Louis, a majestic, beloved landmark, will awe visitors who think they’ve seen all the great cathedrals. Its domed ceilings display the largest single assembly of mosaics in the world.
  11. The Blues were born here. Take a seat in one of the live music dubs to find out how good feelin bad can be.
  12. Hit the road at Gateway International Raceway, the Museum of Transportation and other automotive attractions.
  13. Visit the heart of St. Louis—our friendly and historic neighborhoods.
  14. Take a Gateway Art Tour by exploring the Saint Louis Art Museum, Laumeier Sculpture Park, the Contemporary Art Museum and the Pulitzer Foundation for the Arts.
  15. Discover the past at the historic Old Courthouse, the Black World History Museum and Faust Historic Village.
  16. Saint Louis Riverboat Casinos lirt with Lady Luck on one of the region’s five glittering riverboat casinos.
  17. Tour the home of the world’s largest brewer at the Anheuser-Busch Brewery. The brewary is a great place to hang out while waiting for a tour of the historic brewery to start or a place to spend a lazy summer afternoon. Throughout the year, guests will also find a full menu ranging from soups and salads, to burgers and sandwiches, to desserts and seasonal specials.
  18. Dine in some of St. Louis’ thousand one-of-a-kind restaurants.
  19. Fill an extra suitcase during a shopping trip through St. Louis’ major malls and antique and collectibles stores.
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The Architectural Beauty and Majestic of Ibrahim Rauza, Bijapur

The Architectural Beauty and Majestic of Ibrahim Rauza, Bijapur

The architectural styles developed by the Sultans of the Deccan plateau that are appreciated in Bijapur, Bidar, Gulbarga, and Hyderabad, are motivated from Persian and Turkish structures.

Ibrahim Adil Shah II ruled the kingdom of Bijapur from 1580 to 1627. He is reputed to be one of the most compassionate and multicultural rulers in history and was a generous patron of the arts.

The sultan of Bijapur was a descendant of the Ottoman dynasty of Istanbul, Turkey. The sultan of Golconda was a Turkman prince who had taken refuge in India. The sultans were adherents of the Shia sect of Islam and were close allies of the Safavid rulers of Iran. A distinctive culture thus developed in the pluralistic community of the Deccan plateau. In India, the Deccan plateau became the prominent center of Arabic literature and scholarship.

Ibrahim Rauza is another valuable and most stylish architectural example of the Adil Shahi style of architecture. Ibrahim Adil Shah II, one of the sultans of this dynasty, developed and organized his own final resting place.

Arched Verandah of row of pillars around the central chamber of of Ibrahim Rauza, BijapurIbrahim Rauza consists of two core constructions: a tomb and a mosque with several smaller structures. All these buildings are built within a square enclosure with an attractive garden in the front. Both the structures are built on a platform that is 360 feet long and 160 feet wide, around a walled enclosure.

At the eastern end is the tomb and at the western end is the mosque. In between is an open yard in which are found an decorative tank and a fountain. Though the size and purpose of these two structures are different, the architect has productively attempted to produce an equilibrium between them in volume and style. Nevertheless, the tomb seems to be a grander structure than the mosque. The tomb consists of a principal chamber within an arched verandah and both are scaled by a dome. Tall minar-shaped turrets are built at four corners of the building. However, the most beautiful and crowning part is the bulbous dome at the upper story.

Carved ceiling of the Mosque of Ibrahim Rauza in Bijapur

The interior has an arched verandah of row of pillars around the central chamber. They are all abundantly adorned with intricate patterns. The chamber room is a small square of 18 feet each side; but it is elegant because of the introduction of a charmingly carved ceiling at the correct height. Thus, the Ibrahim Rauza has a well-executed plan of a building in its entirety, harmonizing architecture with ornamentation.

Ibrahim Rauza of Bijapur: stylish architectural example of the Adil Shahi style of architectureThe mosque forming the other part of the Ibrahim Rauza relates harmoniously in the mass of its proportion and architectural treatment as well as width of frontage. Though it seems slightly smaller, the comparisons overlook in terms of minars at four directions and a slightly smaller elongated dome. This congruence is the real uniqueness of the Ibrahim Rauza. Between the two and in the center is a beautiful entrance with two minars at each corners. Thus, the whole composition is highly appealing.

Scholars have felt that if this were to be built of marble, the Ibrahim Rauza would have been a close challenger to the glory of the Taj Mahal.

Through architectural wonders such as the Ibrahim Rauza, the Adil Shahis immortalized themselves through this structure which is at once a combination of majesty and beauty.

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Southeast Asia: The Best Sights, Destinations, and Experiences (ASEAN Travel)

SOUTHEAST ASIA: The Best Sights, Destinations, and Experiences (ASEAN Travel)

No longer seen merely as an exotic counterpart to the Occident, South-East Asia has developed an identity all its own over the past few years. You will find very little homogeneity in ASEAN, with every country priding itself on a distant identity concerning culture, religion, cuisine, and traditions.

This vast region is an overwhelming mix of landscapes, from verdant, rolling hills, and isolated islands with white-sand beaches to thick forests and intriguing caves. You can enjoy a range of diverse experiences, and no matter what type of traveler you are, you will find that one special place that will have you returning repeatedly. There are beaches to bum about on, temples, and architectural marvels to visit, hills aplenty to hike, tea estates to unwind at and a whole lot of truly incredible foods to experiment with.

Because we know that you could spend your entire life trying to uncover all of South-East Asia’s treats and not make much headway, we have brought together a collection of the best, unique experiences on offer in the ASEAN countries.

Get off the highway and wander down little, hidden by-lanes where you will discover everything from forgotten tribes, to a mosque built of pure gold, and a swimming pool on top of the world.

Best Travel Ideas for Southeast Asia

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History and Architecture of the Achyutaraya Temple Complex, Hampi, Capital of the Vijayanagara Empire

Achyutaraya Temple Complex, Hampi

Achyutaraya (1530–42 A.D.) temple complex is an imposing and magnificent cluster of temples in Hampi. However, it is called Achyutaraya Temple, an inscription of 1534 A.D. refers to this as Tiruvengalanatha or Venkatesha temple, and King Achyutaraya built it in 1539 A.D.

Achyutaraya Temple Complex, Hampi

The temple consists of a garbhagriha, antarala, pradakshinapatha, sabhamandapa, mahasabhamandapa, kalyanamandapa, Devi shrine etc. All these are enclosed in two prakaras one within the other.

Achyutaraya Temple Complex, Hampi

The outer prakara has main gates at northern and western directions, whereas the inner prakara has the gateways at north, east, and west. All these gateways had gopuras, which are in ruined condition now.

Achyutaraya Temple Complex, Hampi

The square garbhagriha, which originally had an image of Lord Venkatesha, is now empty. Its doorway is ornamented and has Vaishnava dvarapalas and Gajalakshmi at the lintel. Above the garbhagriha is a Dravida type sikhara. The square sabhamandapa has four pillars in the middle set on an elevated floor in the centre.

Achyutaraya Temple Complex, Hampi

The mahasabhamandapa stands on thirty pillars set in five rows. The pillars exhibit typical Vijayanagara features. To the south-west is the Devi shrine and its garbhagriha is empty now. Its sabhamandapa has a sculpture, which has been identified as that of King Achyutaraya, the builder of this temple.

Achyutaraya Temple Complex, Hampi

The sculptures of this temple exhibit good workmanship. The bass-reliefs of combination of bull and elephant arrest our attention. The pillars in general are neatly executed with elegantly carved sculptures of gods and goddesses.

Achyutaraya Temple Complex, Hampi

To the west is a large and rectangular kalyanamandapa or marriage pavilion. It has over one hundred pillars with sculptures of Garuda, Hanuman, and Vishnu etc.

Achyutaraya Temple Complex, Hampi

In front of this complex are low-pillared mandapas, which had bazaars, or markets where merchants used to stock in heaps pearls and other precious stones and sell them. Many foreign travelers have graphically described this pearl bazaar the type of which never existed anywhere in the world except Hampi. That was the glory of Vijayanagara.

Achyutaraya Temple Complex, Hampi

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Luxurious Living for the Adil Shah Royal Family in Bijapur’s Sath Manzil

Sath Manzil palace built by Ibrahim Adil Shah II

Sath Manzil as the name itself signifies is a seven storied structure and in this case a palace. It was built by Ibrahim Adil Shah II, one of the greatest rulers of the Adil Shahi dynasty in 1583 CE. Actually, Ibrahim II is better known for his massive creation of Gol Gumbaz in Bijapur.

Sath Manzil stands near Gagan Mahal to the southwest of the latter, and enclosing a vast quadrangle known as granary. Though named Sath Manzil, today it is a structure of five stories only with a height of about 97 ft. There is a narrow staircase which connected the fifth story to the sixth which does not exist now. In the same manner, there should have been a still smaller connection between sixth and seventh and this justifies the name Sath Manzil. Ibrahim was not satisfied by the previously built Gagan Mahal that was both a palace and a durbar hall. Hence, Ibrahim II planned exclusively a palace in keeping with his status. Naturally seven storied building did not exist in Bijapur and hence Ibrahim thought of building a seven storied palace.

Sath Manzil Bijapur - 1860 Steel Engraving - Print

Sath Manzil for royal family of the Adil Shahi dynastySath Manzil palace was far more extensive than it is today. Therefore, what we see today is only a partial palace and the remaining parts have been destroyed. The Chini Mahal or Faroukh Mahal, which is close by, formed a part of the original palace. A passage along the terrace above the range of rooms on the west side of the quadrangle connected the Chini Mahal. The building was specially erected for pleasure and royal bath as can be understood from the frequent occurrence of ornamental baths and cisterns in various rooms. They are all connected by the water pipes laid from story to story through masonry. Thus, this lavish distribution of water pipes and bathing cisterns is a unique feature of this building.

Jal Mandir or Water pavilion in BijapurWater cisterns are found on all the stories of this building. The walls of these bathrooms were painted with human figures and others decorative motifs. The walls were also gilded beautifully and luxuriously. Another noteworthy feature of this beautiful building is the extensive use of wood as in the case of pillars, window frames, window screens, and brackets. There is another building called Jal Mandir or Water pavilion, which originally formed a part of this grand palace. It also had floorings decorated with colored tiles of different designs. Thus, Sath Manzil is famous for luxurious living of the royal family of the Adil Shahi dynasty. Such buildings are rare.

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Sparkling Romance with Norway’s Historic Hotels & Restaurants

De Historiske is a unique membership organization consisting of several of Norway’s most delightful hotels and restaurants.

De Historiske’s new range of short breaks is a huge success and Norway is more popular as a holiday destination than ever before. Their member-hotels offer unique adventures in Norway. Patrons staying at a number of their hotels, dining in their fabulous restaurants and taking wonderful boat trips can all be part of an amazing package. They offer different packages—each with unique theme—but all have one thing in common—patrons will have an experience of a lifetime.

Destination Weddings in Norway

You and Your Loved One Can Really Spoil Yourselves

Two of the most romantic locations for memorable breaks. Enjoy delicious meals in idyllic, peaceful surroundings. This short break starts at Hotell Refsnes Gods, only a stone’s throw from the Oslofjord. The hotel has an excellent reputation for delicious dining and well-stocked wine cellars, in addition to the inspirational art adorning its walls. The good life continues in the magnificent natural surroundings of Engo Gard Hotel & Restaurant, with its English conservatory-style heated swimming pool and Jacuzzi for relaxation and pampering.

Take a break from the daily toil and feel the benefits!

Sparkling Romance with Norway's Historic Hotels & Restaurants

With Nature at the Doorstep, Work Becomes the Furthest Thing

Whether you want time to socialize with your friends or enjoy a romantic weekend, you’ll find the perfect escape at the hotels’ castles, manors, inns and guesthouses. Do you want to enjoy activities while relaxing, or just enjoy the peace? Regardless of the hotel, you can be sure to end up in scenic surroundings, with top restaurants where traditional food meets modern cuisine.

Weddings, Celebrations, Honeymoons, and Festive Occasions in Norway

Weddings, Celebrations & Festive Occasions That Deserve Special Surroundings

If you are looking to hold a birthday party in unique surroundings, spend a romantic honeymoon or celebrate an important occasion with a special culinary experience, De Historiske are your natural choice. The genuine atmosphere is the reason why many people choose to celebrate special occasions at De Historiske. De Historiske’s surroundings are perfect for creating the relaxed atmosphere that is worthy of an important day—whether a birthday or a wedding day. Celebrations can vary from evening parties to grand events lasting from morning to night. They can also recommend family get-togethers, where the generations meet, in many of Norway’s historic picturesque surroundings.

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Splendors of Sculptures and Architecture of Hazara Rama Temple, Hampi

Hazara Rama Temple in Hampi

Hazara Rama temple is one of the most elegant temples in Hampi. Its construction was started in the year 1513 A.D., under the orders of Krishnadevaraya and was completed before the end of his reign.

Horizontal friezes Hampi Hazara Rama Temple.jpg From Bangalore, it was extensive journey of 353 kilometers to Hampi, the capital of the Vijayanagara empire, our first stop, along a uncomfortable narrow tarred road. We reached Hampi at about 6:30 p.m. and parked under a tree whose branches canopied throughout the road. Close by was the Hazara Rama (a thousand Ramas) temple which was splendid in the depending dusk. It is a quadrilateral temple complex set within well-tended lawns, destined for the secluded worship of the Vijayanagar kings. The air was cool and gleaming twilight rays moderated the sharp lines of the granite edifice. We admired the fine statuettes on the outer walls encircling the complex exulting when we recognized the figures.

Hampi's Hazara Rama Temple: Sculpture of Kalki holding in his four hands sankha, chakra, sword, and shield and riding a horse Actually, it is a royal chapel or a private temple for the use of the royalty. The temple opening to the east has a flat roofed dvaramandapa with symmetrical pillars. Passing through the doorway one enters into a square rangamandapa, which has blackstone tall pillars. These pillars are very attractive and contain sculptures of gods and goddesses, like Ganesha, Mahishamardini, Hanuman and different forms of Vishnu.

The sculpture of Kalki holding in his four hands sankha, chakra, sword, and shield and riding a horse is especially noteworthy. The rangamandapa has entrances to the south and north and the western entrance leads to the sanctum. One of these doors leads to the open enclosure from which the garbhagriha and its beautiful vimana become visible.

The outer wall of the prakara and Horizontal Friezes are great attraction at Hampi Hazara Rama Temple

The outer wall of the prakara also built of stone is a great attraction in this temple as it is divided into five horizontal friezes, each containing from the bottom upwards rows of elephants, horses, and Krishnalila stories in addition to some gods like Subramanya, Ganesha etc. Particularly interesting are the stories relating to Rishyasringa, Putrakameshti yaga, Sita svayamvara scene in which Sivardhanush is being carried.

To the north of the main garbhagriha is the shrine for the goddess. Though it is small in dimensions, it is very attractive from the point of view of ornamentation. The antarala of this shrine has on its eastern wall bas-relief of God Narasimha. On its doorway is found a Vaishnava saint giving something to a king. Some scholars have identified this as Vyasaraya and the king as Krishnadevaraya. At the northeast is the Kalyana mandapa built in 1521 A.D.

Hazara Rama Temple in Hampi This is the only temple situated in the core of the royal zone between the residential and ceremonial enclosures. Dedicated to Vishnu in his aspect as Lord Rama, this 15th century temple, is the finest example of a compact Dravida Vimana type of temple. In plan it has a sanctum, vestibule, pillared dance hall, with an entrance porch to the North and South. The Eastern porch is extended into an elegant pillared pavilion. There is a shrine for the goddess to the North which is also elegantly sculpted.

The temple is known for its sculpted friezes depicting the Ramayana, in three tiers, running all around the main shrine, and the narrative sculptures of the Lava—Kusha story on the Devi shrine. It is because of this that the temple was called the Hazara Rama. In addition, the temple is also known for the narrative sculptures of the Bhagavata, especially of Bala Krishna, and the sculpted polished pillars of the Mahamantapa (main hall). It was undoubtedly, the temple of the royal patronage.

Thus, the Hazara Rama temple at Hampi is a special temple built within the palace enclosure and on this account, it may be construed that this was built exclusively for the royalty for their personal use and contains good decorations and ornamentations done by the expert sculptors and architects of the Vijayanagara Empire.

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The Splendors of Monuments, Sites, Museums of South India

The Splendors of Monuments, Sites, Museums of South India

The southern travel market in India has fully-fledged and offers great potential for incoming, domestic and outbound business. Most of the participants in the travel trade are keen on establishing and making their presence in the southern market click. Here are some of the selections given by association presidents on the latent potential of South India as a travel destination. To list the important suggestions in a nutshell, the inbound segment at present is witnessing remarkable growth as these states compete more assertively in the highly competitive global tourism industry.

'Southern India: A Guide to Monuments Sites & Museums' by George Michell (ISBN 8174369201) George Michell provides a revolutionary and ornately illustrated introduction to the architecture, sculpture and portrait of Southern India under the South Indian Empires and the states that succeeded it. This period, encompassing some four hundred years, from the fourteenth to the eighteenth century, was endowed with an abundance of religious and royal monuments which remain as testaments to the history and philosophy behind their evolution. The author evaluates the vestige of this artistic heritage, describing and illustrating buildings, sculptures and paintings that have never been published before. In a formerly neglected area of art history, the author presents an original and much needed reconsideration.

Architecture and Art of Southern India

Architecture and Art of Southern India

The overall aim of this volume is to provide an introduction to the architecture and art of Southern India under the South Indian Empires and the lesser kingdoms that succeeded it. The chronological span of the survey opens with the foundation of South Indian kingdoms in the middle of the fourteenth century and closes with the decline of the successor states in the middle of the eighteenth century. The most important of these successor states were founded by the Nayakas, originally governors under the South Indian kingdoms and emperors; but other figures also emerged as independent rulers towards the end of this era.

'Lonely Planet South India & Kerala' by Lonely Planet (ISBN 1743216777) Stretching along India’s southwestern coast, Kerala is home to beautiful seashores and backwaters, luxuriant jungles and tea-covered hills. This compact trip offers a chance to experience a part of India that’s truly off the beaten path. Paddle a canoe along lush canals, explore historic forts and palaces, sample flavorful cuisine, and more.

The general dealing of the subject reveals the author’s intimate acquaintance with different aspects of the culture of South India. The book is the outcome of long and arduous work in this field.

Later Hindu architecture, that is, after the twelfth century, has been neglected until reasonably recently, under the supposition that the finest constructions of Hindu artists were earlier and that later work was simply repetitive, debased, or degenerate. The sheer number of temples to study and the fact that they remain in use have also proved problematic. In south India the temple architecture of the South Indian Empires is now better known, but many consider the fall of the capital in 1565 to have resulted in the end of main temple construction.

City and Town Names in Southern India

City and town names in Southern India are commonly rendered in a wide range of spellings, some of which preserve nineteenth-century British usage. There is no attempt here to bring this linguistic misunderstanding into a single system; to the contrary, place names adhere to common practice, as is reflected in present-day maps and road signs. Significant variations, however, are given in the first allusion of a particular place in the text, sanctioning concordance with other works of reference.

Culinary Experiences in Southern India

Tourism industry is one of the most emergent sectors in South India. Attainment of tourism and hospitality segment depends upon the skill set of the human resources; quality training & education shall produce real professionals in this sector. Tourism education is a special branch of education in India to train and hearten individuals for providing first-class hospitality services. The main purpose of this is to focus on how education tries to fill up the necessities of tourism sector in South India. This paper tries to evaluate various scopes and challenges for the education system in tourism and hospitality. It also proposes a multi-disciplinary education design for tourism education in South India and emphasizes the changing role of tourism education in generating youth employability. On the basis of ancillary data analysis this study tries to examine the development of hospitality & tourism education in South India. Opportunities and challenges for tourism education initiatives by the government for augmenting the youth employability in the tourism sector.

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