Architectural Grandeur of the Historic Varahaswamy Temple in Mysore Palace Complex

Sri Varahaswamy Temple, Mysore Palace Grounds

When sightseers visit Mysore, the capital of Wadiyar dynasty, the most-frequented places include the Chamundi Hill, Palaces, Krishna Raja Sagara, Kukkarahali Lake, Jaganmohana Art Gallery, Brindavan Gardens, Lalitha Mahal Palace, Mysore Zoo, specially for the Dasara festival. Though the Wadiyars were well known for their religiosity, it is unfortunate that most of the temples built by them in the premises of Amba Vilas Palace are either overlooked by the natives or ignored by the tourists who get scarce knowledge about them.

The temples in and near the Mysore Palace are:

  • Shweta Varahaswamy Temple
  • Ambujavalli Mahalakshmi Temple
  • Gayatri Temple
  • Trinesvaraswamy Temple
  • Kodi Kala Bhairava Temple
  • Kodi Someswara Temple
  • Bhuvaneshwari Temple
  • Prasanna Krishnaswamy Temple
  • Khille Venkataramana Swamy Temple
  • Lakshmiramana Swamy Temple
  • Kote Anjaneyaswamy & Kote Ganapathy Temples
  • Sri Panduranga Vittala Temple
  • Vara Prasadi Ganapathy Temple
  • Kote Maramma Temple

Consecutive Mysore Maharajas built some of the temples in the Palace during the 14th and 15th centuries. The purpose of building these beautiful temples by the Maharajas was to reestablish the welfare and affluence of the royal family as well as their subjects.

If prudently scrutinized, one can find a temple at all directions. Most of the temples in the Palace are built in such a way that it presents a perfect symmetrical structure in the Palace complex. Even today, pujas in these temples are performed very faithfully. Most tourists are not aware of these temples’ presence as they are secluded and the attention is only on the Mysore Palace.

The famous Mysore Palace has a vast enclosure surrounded by a fort. Within this fort were built some temples, mostly for the personal use of the royalty. One such temple is Sri Varahaswamy temple.

Actually, the entire temple is a Hoysala structure as if built by the Hoysalas at this place. However, it is mentioned that this temple was built by Dewan Poornaiah with the architectural and sculptural slabs that were available at a Hoysala temple in Shimoga. Thus, it is a reset Hoysala temple during the period of Dewan Poornaiah when Krishnaraja Wadeyar III was the Mysore king. From this point of view, this is an excellent example of reconstructing a temple at a far off place when the technology of this type had not been developed as it is today. The temple has a mahadvara and a huge stucco gopura at the entrance.

Hoysala Architecture in Sri Varahaswamy Temple of Mysore Palace

The temple has a basement of horizontal moldings of different types. In fact this temple was built on this basement. There are three horizontal moldings at the bottom over which are found the wall with pilasters and niches. In the middle of the wall runs round the entire temple another eve-like molding over which the wall continues. At the roof level is a decorative eave and additional moldings. The sikhara is of a typical Hoysala type with various tiers.

The temple consists of a garbhagriha, an antarala, navaranga and a mandapa of the later period. The garbhagriha doorway is well executed with minute decorations. The navaranga has well carved pillars also. The garbhagriha has a fine stone image of Shweta Varahaswamy. This image was originally at a place called Srimushna in South Arcot district of Tamilnadu. The Mysore king Chikkadevaraja Wadeyar (1673–1704) brought this image from Tamilnadu and consecrated it at a temple in Srirangapatna.

Garbhagriha has a fine stone image of Shweta Varahaswamy in Sri Varahaswamy Temple, Mysore When this temple was destroyed during the period of Tipu Sultan, this sculpture was shifted to Mysore and consecrated here in 1809. The utsavamurti (image meant for procession) of the temple was also a gift of king Chikkadevaraja Wadeyar. There are also images of Manvalamuni and Vedantadesika donated by Krishnaraja Wadeyar III. The inner wall of the prakara has a painting of the coronation of Sri Rama done in 1865. The navaranga also has some paintings of Ramayana and Mahabharata. Thus, the temple is one of the interesting temples within the precincts of the Mysore palace.

Every year, hundreds of devotees participate in the Bramhotsava of Lord Shwethavarahaswamy located in the Palace premises with religious fervour and gaiety. Hundreds of devotees witnessed the auspicious event as the decorated chariot of Lord Shwetha Varahaswamy, went round the Palace premises. More than 15 vedic scholars led by head priest of the temple chant slokas praising the mightiness of Lord Varahaswamy.

St. Thomas Aquinas’s Five Proofs of God’s Existence

St. Thomas Aquinas receiving the Holy Spirit (in the shape of a dove), by Andrea di Bartolo (c. 1368-1428)

Intellectual arguments for the existence of God, based on reason and observation Of the many attempts to prove the existence of God, arguably the best are the five proofs, or five ways, that were offered by St. Thomas Aquinas (1225-74) in his unfinished work Summa Theologica (1265-74) They are:

  1. motion (motion cannot begin on its own and so there must have been a first mover);
  2. causation (the sequence of causes that created the universe must have a first cause);
  3. contingency of creation (all things depend upon other things for their creation, so there must be a being that caused the initial creation);
  4. degrees of perfection (there are differing degrees of beauty in the universe, so there must be a perfect standard-God to which all things are compared);
  5. intelligent design (the universe follows laws that appear to have order, which implies the existence of a Great Designer).

Technically more of an attempt to clarify the ways in which people conceptualize the creator as described in Christianity, the five proofs are generally seen as earnest arguments for the reality of God. Thus, like many other philosophical claims, the five proofs have taken on a significance different to the one intended by their author. After all, Aquinas, being a Roman Catholic, already knew of God’s existence through faith. In Summa Theologica (1265-74), St. Thomas Aquinas wrote, “It is better to … deliver … contemplated truths than merely to contemplate.”

The adequacy, or inadequacy, of the five proofs brings up the provocative issue of the relationship between the divine and rationality. Indeed, the five proofs highlight the strained relationship between that which is known a posteriori (through experience) and that which is known a priori (through reason), which then calls into question the priority of philosophical inquiry over scientific inquiry, and vice versa.

Architectural Heritage Building of the Oriental Research Institute, Mysore

History of the Oriental Research Institute, Mysore

History of the Oriental Research Institute, Mysore

Oriental Research Institute is a prominent establishment having a fertile and precious compendium of Sanskrit manuscripts. It is the depository of over 50,000 manuscripts. The Institution was founded in 1891 by the then Government of the Maharaja of Mysore with the purpose of collecting, editing, printing and preserving old Sanskrit and Kannada manuscripts. It was commenced in the type of a library at the Maharaja’s College, one of the respected colleges in the then Mysore State, and afterwards, when the current building was built to mark the golden jubilee of Queen Victoria in 1897, it was moved to the present-day building. The building is located behind the Maharaja’s College, near the University secretarial headquarters, the Crawford Hall.

In the start, the library was under the directorial management of the Department of Education. The Department of Archaeology was also contained in the same building. Later on, it was detached from the Department of Education and the Department of Archaeology was also transferred from there, making it an absolute depository of old manuscripts collected from different parts of India.

Due to the earnest efforts of great scholars like Mr. Kasturi Rangachar, Prof. D.L. Narasimhachar and Prof. T.N.Shrikantayya (Tee.Nam.Shri.), perpetual overseeing work was done and the edited works were published in two series – Bibliotheca Sanskrit and Bibliotheca Kannada. It accomplished worldwide fame when Prof. R.Shama Sastry, celebrated scholar, traced from among the collection the monumental work, ‘Artha Shastra’ of Kautilya and published it. Since then, the Institute has brought out the abundant material available from among its collection in a number of prestigious publications.

When the Mysore University was started in 1916, the library was placed under its management to empower research and study of the manuscripts by Sanskrit and Kannada students and scholars of the University. A supervision committee with the Vice-Chancellor as Chairman and reputed academics was constituted. By 1918, the library was well arranged with an office and four sections:

  1. manuscript collection
  2. publication
  3. printed books, and
  4. research.

In 1943, the name of the library was changed to Oriental Research Institute. In 1954, the post of the Director was created. To preserve and safeguard the palm leaf and paper manuscripts, microfilm facility was installed in 1954. When the Institute of Kannada Studies was established in the Mysore University, the collection of Kannada manuscripts was shifted from the Oriental Research Institute to the Institute, located in Manasa Gangotri campus, in 1966.

In addition to publishing the ancient manuscripts by comprehensive research and study by scholars involved for the purpose, the Institute has also brought out a descriptive directory of Sanskrit manuscripts.

The Heritage Building of the Oriental Research Institute, Mysore

The Heritage Building of the Oriental Research Institute, Mysore

The beautiful building housing the famous Oriental Research Institute attached to the Mysore University is located amidst heritage buildings such as Athara Kacheri (Deputy Commissioner’s Office), Crawford Hall and Maharaja’s and Yuvaraja’s Colleges in Mysore. Actually, it was built in 1891 in commemoration of the Golden Jubilee of Her Majesty Queen Victoria and hence it was popularly known as Victoria Jubilee Institute.

The building is a rare specimen of European classical style of architecture combining Gothic, Corinthian, and Romanesque elements. The building faces north and is built on a podium, which gives the advantage of height to the structure. Flights of steps at east and west lead to the center of the structure, which is a spacious hall.

The most attractive part of this hall is the dome, which is of Mansard or curb type roof having slope on all the four sides. The topmost portion has a square flat roof. On either side are colonnades with series of double Corinthian pillars with north-south sloping roof. On either side of the colonnades are two rectangular halls with four Corinthian pillars supporting low triangular triforia. These triforia is ornamental with cut moldings.

Architecture of the Oriental Research Institute, Mysore

In keeping with the contour of the triforia, the roof of this rectangular hall is in east-west orientation. At the ground level of this hall is an arch-shaped balcony, which enhances the grace of the structure. Thus in one small building three different types of roofs are accommodated.

Another notable feature of this building is the addition of Hoysala sculptures brought here from a ruined Hoysala temple. In the same way, many stone inscriptions also have been brought and kept in the garden opposite the building along with some Hoysala sculptures.

At present, this building houses the Oriental Research Institute attached to the Mysore University. This is a vast repository of ancient palm leaf manuscripts and is a research center publishing ancient works. In fact this Institute is famous internationally because of the discovery of the manuscript of Kautilya’s Arthasastra by the great scholar R. Shamashastry. Thus, it is famous not only for its architecture but also for the palm leaf manuscripts. This institute is visited by hundreds of research scholars interested in Indology, not only from India but also from many other countries.

Brick Jaina Basadi in Talakad, Karnataka

Brick Jaina Basadi in Talakad, Karanataka

Talakad on the banks of the river Cauvery was famous as the capital of the early Western Gangas and continued as an important cultural centre till the times of the Wadeyars. Now it is famous for its amazing sand dunes and the panchalinga darshana. Archaeological excavations were conducted here and they revealed many brick structures of antiquity and the present Jaina temple is one such structure excavated here.

The Western Gangas were great patrons of Saivism and Jainism as evidenced by many inscriptions and structures. They are known to have built a Vijaya Jinalaya at Talavanapura or Talakad itself and perhaps the excavated Jaina temple may be the same as the one referred to in the inscription. Unfortunately only the foundation of this temple could be traced but not the superstructure. The entire temple was built of well-burnt bricks.

The brick temple consisted of three garbhagrihas in a row horizontally, an antarala and a mukhamandapa with a provision for pradakshinapatha. All these structures are enclosed within a prakara wall also of bricks. The main garbhagriha is square (3.25 mts) with two rectangular sanctums on each side (3.25 x 1.80 mts). In front of these sanctums is a small oblong porch (2.8 x 11.00 mts). All the three garbhagrihas have separate doorways in the front opening to the common porch.

Tirthankara Parsvanatha with five hooded serpent and an umbrella and Padmavati Yakshi in Talakad The separate mukhamandapa in front of the sanctums is square with thick foundation walls. The entire structure was built over a basement or a plinth consisting of various types of mouldings. Perhaps some pillars were used at different points. Perhaps these and other wooden pillars supported wooden framework of the roof above. Thus the brick construction was strong as well as elegant.

Very close to the garbhagriha was found a stone image of Tirthankara Parsvanatha. It is in high relief. He is standing with a five hooded serpent and an umbrella above. There is a sculpture of Padmavati Yakshi at the left holding an umbrella over the serpent. This is a rare sculpture. This was the image which adorned the main garbhagriha of this temple. Thus this brick temple provides evidence for Ganga patronage to Jainism at Talakad itself.

The Majestic Gopuram and other Architectural Highlights of Sri Ranganathaswamy Temple, Srirangapatna

Architectural Highlights of Sri Ranganathaswamy Temple, Srirangapatna

Srirangapatna, very near to Mysore city, is on the banks of the river Kaveri and is thought of as one of the holy places in Karnataka. It formed a part of Ganga, Hoysala and Vijayanagara kingdoms and afterward it became famous as the capital of Tipu Sultan. However, it is famous as a sacred place because of the river Kaveri and the Sri Ranganathasvami temple.

Sri Ranganathaswamy temple at Srirangapatna is one of the larger Dravidian temples in Karnataka. Customarily famous as the Gautama Kshetra, it is said that a Ganga feudatory by name Tirumalayya built this temple in 894 CE, and named this place as Srirangapura.

Ranganathaswamy: Vishnu reclining on the huge coils of Adishesha with seven-hooded head. Temple in Srirangapatna.

The garbhagriha has an immense image of Vishnu lounging on the huge coils of Adishesha with seven-hooded head. The God is shown as sustaining his head on his right hand while his left hand is stretched over his body. He wears a tall crown and other ornaments. Near his legs are images of Kaveri or Lakshmi and sage Gautama. This is one of the most beautiful reclining images of Vishnu. The sukhanasi has well designed ceilings with lotus in the center. The navaranga is a fine structure and contains round bell-shaped and eight-pointed star shaped pillars. On two sides of the navaranga doorway are two gigantic dwarapalas.

In front of the navaranga is a large pillared courtyard with an opening near the dhvajastambha. Most of the pillars in this courtyard are of Hoysala workmanship, of different designs such as square shaped, star shaped, cylinder shaped etc. It is believed that later some of the Hoysala pillars have been used here to restructure the pillared courtyard and perhaps the navaranga also. There are some minor shrines housing Manavalamuni and Srivaishnava Alwars. On the south-west is a shrine of Lakshmi as Ranganayaki, the consort of Ranganatha, a sculpture of the Vijayanagara period. Some of the pillars have 24 forms of Vishnu with labels.

Garuda is the mount (vahana) of the Lord Vishnu, Sri Ranganathaswamy Temple of Srirangapatna

To the east is the pillared large mukhamandapa of late Vijayanagara period. All these are enclosed within the vast prakara wall, which has an striking mahadvara with a stucco gopura of five tiers with kalashas. Thus, the Ranganathaswamy temple is a temple multiplex built in various periods, and is famous all over Karnataka for the fine reclining Ranganathaswamy image.

History of Sri Ranganathaswamy Temple, Srirangapatna The oldest inscription regarding the temple dates back to 894 AD. It is believed that Tirumalaya, a secondary king of the Ganga dynasty, built the shrine and named the town Srirangapura. Supplements to the temple were made during the successive centuries by Hoysala kings, Vijayanagara rulers and Wodeyars of Mysore.

Ranganathaswamy Temple is built in Dravidian style and faces east. A seventy foot tall gopura envelopes the gateway. The main murti worshipped in the temple is that of Sri Ranganathaswamy in a reclining posture on the coils of seven-hooded serpent Ananta. Goddess Lakshmi, who is known as Ranganayaki, sits near his feet. There are two huge dwarapalaka sculptures guarding the doorway to the assembly hall, which has neatly cut granite pillars typical of Hoysala architecture. There are abundant secondary shrines in the temple which houses murtis of Sri Rama, Krishna, Narasimha, Gopalakrishna, Sudarshana and Lord Vithoba.

Architectural Highlights of Sri Ranganathaswamy Temple, Dravidian style

The significant festivals in the temple are Lakhsha Deepotsava or Makara Sankranthi Brahmotsava in Pushya month (January), Ratha Saptami Brahmotsava in Magh month, Magh Purnima, Sriranga Jayanti in Vaishakh month, and Uyyalotsava in Ashada month.

Sri Ranganatha pilgrimage sites along the river Kaveri The temple attracts a large number of visitors all through the year. It is one of the five important pilgrimage sites along the river Kaveri for devotees of Ranganatha. These five sacred sites are together known as Pancharanga Kshetrams in Southern India. The other Pancharanga Kshetrams are the famous Sri Ranganathaswamy Temple (Srirangam), Parimala Perumal Temple, Sarangapani Temple, and Sri Appakkudathaan Perumal Temple.

The other attractions in Srirangapatna consist of the Gumbaz / Mausoleum of Tipu Sultan, Daria Daulat (The palace of Tipu Sultan,) Water Gate, Garrison Cemetery, Scott’s Bungalow, Lord Harris’s House, Tipu Sultan death memorial, and Sangama (the amalgamation of the three holy streams that create the island of Srirangapatna.) The Srirangapatna fort is a big monument. The total length is 5 km and renovation needs huge funds and large number of skilled workers. Restoration work on the fort has been pending for a long time, but has not been undertaken due to lack of money. Not only the fort, other major monuments from the period such as gun houses, the rocket launch site, and the remains of Tipu’s palace in Srirangapatna are in bad shape too. Prominently, the remains of Tipu’s palace in front of Sri Ranganathaswamy temple needs to be preserved and popularized among tourists. The sites have a huge tourism potential if preserved and presented well.

Is Costco threatened by Amazon?

Is Costco Wholesale threatened by Amazon?

The North American retail landscape appears entirely different today than it did even ten years ago. The method that consumers make purchasing decisions has radically changed: they stand in stores, using their smartphones to match prices and product reviews; family and friends instantaneously chip in on shopping choices via social media; and when they’re ready to buy, an ever-growing list of online retailers deliver products directly to them, occasionally on the same day.

Brick-and-mortar retailers such as Costco simply focus on selling items that Amazon can’t beat them on. Some products do not lend themselves to package delivery since they are too big, heavy, cheap, fragile, or reliant on fitting properly. Likewise, lawn chairs, boots, thumbtacks, bags of cement, frozen shrimp, and thousands of other items are difficult to move via ecommerce channels.

Paradoxically, Costco is not one of the many companies that accuse Amazon for uninspiring growth or stagnation. Amazon can easily take bites out of the edges of Costco’s market share, and that’s all it takes to flatten out comparable sales, an important metric in the retailing industry.

Costco is remarkable at staying in stock on the goods it sells, but when it comes to general merchandise, you have to mostly grab what they have. Want Fancy Feast cat food? They’ve got it, but only in one specific flavor combination packet. If your cats don’t like it, so it goes. However, you can get precisely the flavors you want from Amazon, without waiting in lines.

Then there’s items like deodorants. While I’m happy to buy in quantity, I was unsure if Costco sells the brand I like. I ordered a four-pack from Amazon and it was here when I got home. Same with shaving cream. Women won’t find “Edge” shaving cream to have anything like a feminine smell. I bought it once. That was that: another item, gone to Amazon.

Costco established the warehouse club retail model, which depends on customer-friendly average markups on branded products (in the low double digits, compared to the high teens at WalMart and the mid-20s at most grocery stores), high throughput, bargaining power, a no-frills shopping environment, and supply-chain effectiveness.

Costco-Amazon Competitive Analysis

I still like Costco, and I’ll definitely continue re-upping my membership. The treasure hunt can be fun and the moveable feast is great. But quantity purchases of exactly the household items I want aren’t available often enough. It sells one kind of almond butter, two kinds of detergent. These are items that have forever left my Costco basket, and have actually caused a reduction in trips, as well.

Costco has lots of options left available to it. It rarely advertises. It can change that. It has been a real laggard in omnichannel retailing…any relationship between items on the website and items in stores is purely coincidental (or opportunistic). I think the company has to change that. There are some items that have to be touched and seen, even if the sale consummates on-line.

The company’s business model remains sound, but the assortment on certain items and sundries might have to broaden. No one wants to go on a treasure hunt for deodorant. That’s a seriously risky proposition.

In May 2016, UBS analyst Michael Lasser and team argued after Costco’s quarterly results that the quarter was so good that it “refutes the bear case that centers on the potential that Costco is losing customers to Amazon.com”:

We think this provides evidence that refutes the bear case that centers on the potential that Costco is losing customers to Amazon. Further, Costco’s op. margin was in line w. our expectations showing how well it’s managing in this tough environment. A lower than expected tax rate added ~$0.01 to EPS. While Costco’s sales slowed in 3Q, we think the deceleration was largely due to the pending transition of its credit card. We believe its sales will pick back up once the transition occurs on June 20. This provides a visible NT catalyst. Plus, there’s a secondary catalyst next year when Costco is likely to raise its membership fees. We think buying shares ahead of these catalysts is a prudent move.

Grocery One of Coscto's Advantages in comparison to Amazon

In July 2016, UBS analyst Michael Lasser and team explained why shares of Costco Wholesale soared after the company reported same-store sales for June:

While there was no mention of a disruption from the credit card transition, we believe it had some impact. So, the result would have been even better without this effect. Further, it’s probably too early for the shift to Visa (V) to have that much of a benefit. The gains should build in the coming months, driving an acceleration in Costco’s US comp. Even so, the company still generated a 3% increase in its global traffic. This type of performance warrants a premium valuation, in our view.

With the credit card switch in effect, spend/member is likely to pick up as private-label credit-card customers take advantage of the new card’s more attractive reward structure (2% cash back at Costco vs. 1% prior). Also, we think Costco’s reliance on grocery & gas sales (~2/3 of total sales) helps insulate it from Amazon.com (AMZN). These factors support our forecast of 4% core US comp growth in July, which would match its highest growth rate since Nov ’15.

Costco has long been known for giving higher wages and presenting more liberal benefits than its competitors —and producing superior sales per square foot, too. The benefits of the good old days are unreasonable because of rising costs and an aging population. Lifespan job tenure is obsolete and most people embrace workforce mobility. Yet in a consumption-based economy, workers must be able to afford more than the basics, and they deserve a certain measure of security.

Citing a recent report from Cowen’s Internet analyst John Blackledge, Cowen analyst Oliver Chen wrote that Amazon Prime members are expanding their shopping well beyond books, clothing and movies. Data shows that 22% of those Amazon Prime members shopping on the web site 3.5 times each month buy groceries on the web site.

As detailed in the Ahead of the Curve: Amazon Dominates “Prime” Time 50-page report by Cowen’s Internet Analyst John Blackledge), AMZN’s aggressive growth of Prime is both impressive and has wide ranging competitive implications given broad HHI, permeation across media and appeal among young consumers. How can bricks-and-mortar retail compete?

  • The key competitive weapon remains transformation towards a consumer-led supply chain which integrates physical stores to drive convenience—Buy online pick up in store, return in store, ship from store, and car pickup along store need to be utilized across chains;
  • proprietary relationships with vendors and vertical integration such as owning factories and direct sourcing capabilities;
  • frequency of store traffic based on inventory turns and product assortment;
  • emotional, brand-lead lifestyle contact;
  • categories which are not easily replicated online (jewelry, physical fitness); and
  • fashion & curation leadership.

Citi Costco Credit Card Citi’s new Costco Anyway card is significantly more appealing than Amex’s TrueEarnings Costco card. Costco’s management has stated that the terms Citi offered were too compelling for Costco to stay with Amex; to protect/ insure continued customer service levels in transition to Citi, there are significant and specific requirements associated with the portfolio.

Amazon.com Prime Compared to Costco Membership

Morgan Stanley’s Simeon Gutman and team conducted a survey and suggest five reasons that Costco Wholesale should remain Amazon.com-proof:

  • Amazon.com (AMZN) and Costco Are Not Mutually Exclusive. Of the 23% who are Costco members (628 respondents), 45% (285 respondents) are Amazon Prime members as well, which suggests the two retailers fulfill different consumer needs. Of the 33% surveyed who are Prime members (893 respondents), 32% (285 respondents) are also Costco members…
  • Grocery One of Coscto’s Advantages. 12.5%/11% of Costco members call out increased spending on packaged/fresh grocery, well ahead of the 5%/2% of Prime members….
  • Only 8% of People Shopping at Both Costco and Amazon Plan to Shift Dollars Away from Costco. Of the 14% (285 respondents) who shop at both, only a net 8% (32 respondents) plan to shift shopping away from Costco towards Amazon. This represents just 1% of total consumers surveyed.
  • Sticky Members with Higher Spend…with Amazon Scoring Higher on Multiple Qualitative Factors. 94%/95% of surveyed Prime/Costco members intend to renew their memberships, which speaks to high loyalty and low churn. Further, 49%/26% of Prime/Costco members indicated shopping more frequently over the past 12 months and 85% of surveyed members attributed “Retailer I Trust” to Amazon and Costco. It is also notable that Amazon scored materially higher than Costco in perceived prices, selection, convenience, quality of checkout and ease of navigation…which will be important to monitor going forward as these advantages could tilt Costco members’ toward Amazon over time.
  • Costco Members Younger than Perceived. The average Costco member is 49 years old vs. 44.5 for the average Amazon Prime member. This four-year gap seems insignificant, in our view, and is counter to the bear case that Costco does not resonate with millennials…

Implications: The survey results should be a positive step in alleviating the greatest investment debate for Costco, that the club model/Costco is at risk from Amazon.

Given that membership fees represent about 70% of Costco’s operating profit and renewal rates stand at about 90% in the U.S. and Canada, Costco’s long-term revenue and profit growth could stagnate. There is little room for additional household penetration because Costco by this time has around 80 million members; historic sales and earnings growth predictions may not be maintainable. Also, new club openings in current markets could cause cannibalization of sales from older locations. Not to mention of challenges in acquiring appropriate real estate choices for 140,000-square-foot warehouse clubs in urban regions.

Beauty and Majesty of Gagan Mahal in Bijapur, Karnataka

Gagan Mahal, Bijapur

Bijapur in the Deccan plateau of south-western India was the capital of a Muslim kingdom, founded by the Yadava dynasty in the 12th century. It fell under the jurisdiction of the Bahmani Muslims in the 14th century. Its era of independent magnificence was from 1489 to 1686 when the Adil Shahi sultans made it their capital and were in charge for Islamic architecture of exceptional quality. In 1686, the Mogul emperor Aurangzeb defeated Bijapur, but was powerless to exercise firm control and the region soon fell under Maratha sway, from which it elapsed into East India Company hands in the early 19th century.

Ali Adil Shah I ascended the throne and aligned his forces with other Muslim kings of Golconda, Ahmednagar and Bidar, and jointly, they brought down the Vijayanagara empire. With the loot gained, he instigated ambitious projects. He built the Gagan Mahal, the Ibrahim Rauza (his own tomb), Chand Bawdi (a large well), and the Jami Masjid.

The Shah was supreme power but in real practice, the Jagirdars, who acted as his counsellors or advisers, regulated his sovereignty. If the ruler possessed personality and keen intelligence, he could maneuver the chiefs by playing off one against the other, but if he was a minor, or did not fully devote himself to the affairs of the state, they dominated him. With the growth of the territories of the state after 1565 and the resultant increase in the Shah’s prestige and powers, he began to conduct the business of the state with the help of ministers who were placed in charge of various departments of the administration. These ministers held office during his pleasure only. However, whenever the Shah’s authority was weak, they assumed larger importance.

Spandrels of the Gagan Mahal arches in Bijapur, decorated with fish-like and other creatures Gagan Mahal, so called because of its tallness almost touching the sky, was built during the Adil Shahi Sultan Ali Adil Shah I who ruled from 1550 AD., to 1580 AD. In keeping with his victories and wealth that he amassed, he planned to make his capital Bijapur a beautiful and imposing city with many elegant buildings. Gagan Mahal is one such building.

Gagan Mahal was built in 1561 AD., at the order of the Sultan Ali Adil Shah as his palace as also for his durbar. Thus, it served the two fold purposes of Sultani residence and royal court hall. The greatness of the building lies in the fact that it is a congruent combination of both these purposes. The private residential area was on the first floor just above the royal assembly hall. Two massive wooden pillars supported its wooden floor. It had wooden projecting balconies from where the family members of the Sultan, particularly the ladies could watch the spectacle in front, be it royal assembly or sports or any other royal event, including watching the Sultan seated on the throne. Staircases were provided on the back wall for going up or coming down. The staircases also led the inmates to the living rooms, bathrooms, kitchen, and other parts of the residence without being watched by outsiders. Thus, it provided safety, refuge, and privacy to the royal family.

The description of a city in Persian language is one of its fascinating characteristics. For poets and writers, the subject matter gives the occasion to admix poetic imagination with historical realities as well as the actual existing features of the buildings, such as, gardens and water bodies. A beautiful description of Devgiri or Daulatabad in the works of Amir Khusrau is illustrative of the point. There are plentiful descriptions of the beautiful city of Hyderabad, Bijapur, and Aurangabad in the south, Kashmir, Lahore, Kangra, Delhi, Agra, Jaipur, Lucknow, Narnol, Hissar and others in the north. Notwithstanding the abundance of material on cities in Persian literature in various libraries and museums, neither the works are well known nor were they used to reconstruct the cityscape.

Beauty and majesty of the Gagan Mahal in Bijapur

The beauty and majesty of the Gagan Mahal structure is the vast central arch, which has a span of over sixty feet. On its both sides were two smaller spanned arches thus giving a rare spectacle of three arches in a row of superhuman magnitudes. This was indispensable because it faced the Durbar hall and the Sultan and his ministers had to have full view of the happenings in front such as sports, wrestling, music etc. Thus, it served a convenient purpose and added majesty to the building. There is a great deal of woodwork in Gagan Mahal. The complete ceiling of the main hall was of wood being supported by heavy beams, wooden window frames and projecting balconies and eaves and pillars. Most of them were painted and gilded to give a royal effect. This palace had its significant periods also. When Mughal emperor Aurangazeb defeated the last Adil Shahi ruler Sikandar, Aurangazeb sat on the throne at this palace and Sikandar was brought before Aurangazeb in silver chains as a captive.

Regrettably, most of the Gagan Mahal is in ruins today except the three main majestic arches symbolizing the strength and glory of the Adil Shahis.

Zen: A Religious and Philosophical Tradition

Great Buddha of Kamakura, Zen Buddhism

Zen is the concept that enlightenment may be realized through quiet meditation.

Zen is a religious and philosophical tradition established by Myoan Eisai (1141-1215), who studied Chan Buddhism in China and founded Japan’s first Zen temple in 1191.

The Chan School traces its own origins to Bodhidharma, the legendary Indian monk who brought Mahayana Buddhism to China and founded the Xiaolin temple. Mahayana Buddhism began to incorporate elements of Daoism, which led to the simplified, experience-driven approach of first Chan, and then Zen.

Like Indian Mahayana Buddhism, Zen asserts that suffering in the world comes as a result of our ignorant attachment to false ideals, particularly the concept of a permanent self. The true nature of reality is engi, or interdependent arising, in which everything is part of a dynamic, interrelated web of being. All things are impermanent and nothing exists apart from the natural and social context in which it is embedded.

Through meditative practices, a person can experience the truth of engi and gain satori (enlightenment), which is characterized by mushin, a state of “no-mind” that perceives things as they truly are without abstraction.

Zen training involves the cultivation of two main virtues: chie (wisdom about the true nature of reality) and jihi (compassion for all sentient beings).

The two most dominant schools of Zen are

  1. Soto, which focuses upon seated meditation
  2. Rinzai, which emphasizes the contemplation of koans, or paradoxical riddles.

The cultivation of mushin results in a type of hyperpraxia in which a person’s performance of any task is greatly enhanced, and many artists since the samurai era have studied Zen to augment their abilities.

The Japanese-Buddhist author and lecturer D. T. Suzuki once said, “Zen … turns one’s humdrum life .. . into one of art, full of genuine inner creativity.”

Om Mani Padme Hum: The Essential Mantra of Tibetan Buddhism

Om mani padme hum, the great mantra of Tibetan Vajrayana

A mantra is a powerful and significant set of syllables, repeated in worshipping incantations. The most famous is ‘Om Mani Padme Hum’ (Sanskrit, ‘Om, jewel of the lotus, hum’), an essential mantra of Tibetan Buddhism.

Om Mani Padme Hum: The Essential Mantra of Tibetan Buddhism The great Tibetan mantra, Om mani padme hum, engraved on metal and rock. It is also frequently printed on prayer flags and written on slips of paper and stuffed into the heart of a prayer wheel, so that with each flutter of each one of the flags and every turn of the prayer wheel, the vibrations of the mantra are sent out into the atmosphere. The purpose might be to create a positive force field around oneself and one’s community, and of course, to expand one’s merit.

The great mantra of Tibetan Vajrayana is Om mani padme hum. Inscribed on prayer wheels that are kept continuously turning and on multi-colored prayer flags that flutter benedictions in all directions, this mantra is central to the Tibetan way of life. Although the words mean “Hail the Jewel in the Lotus”, the mantra is believed to have consequence beyond the literal.

The great Tibetan mantra, Om mani padme hum, engraved on metal

At one level, the jewel and the lotus can be seen as the dharma and the Buddha. At the tantric level, the mantra represents the intercourse of the Buddha with his feminine sakti, or Avalokiteshvara with Tara. While mani and padme share a grammatical association, om and hum are syllables that cannot be straightforwardly translated.

At a solely syllabic level, the six syllables of the mantra have been interpreted as corresponding with the six paramita (perfections) of the bodhisattva. These are generosity, patience, meditation, morality, energy and wisdom. One way or another, the mantra has also got absorbed with the idea of accumulating merit in the form of good karma, and part of the spirited turning of prayer wheels and the constant chanting with prayer beads is geared towards the end of notching up as many Om mani padme hums as possible. This reverberation is an important part of the Tibetan laity’s life of dharma. Centuries of being regulated to suit diverse human breathing and speaking patterns has rounded the edges of the mantra, so that it no longer has the clear-cut edges of the original Sanskrit, and has settled more or less in the comfortable groove of being Om Mani Peme Hung.

The great mantra of Tibetan Vajrayana Om mani padme hum inscribed on prayer wheels

Dr. Filchner offers us here a general talk about a remarkable expedition that he carried through, notwithstanding immense difficulties, in Tibet for the purpose of cartographical surveys. He gives us a diary exemplified by fine photographs and interesting little sketches, and in this way offers us a most valuable supplement to Sir Charles Bell’s account. The expedition discussed is between Lanzhou and Ladakh along the north side of the Hedin Mountains or Trans-Himalaya. It is only within fairly recent times that the Trans-Himalaya has been evidently documented as a range, thanks largely to the investigations of Dr. Sven Hedin. It is therefore particularly interesting to have an account of a journey along this northern flank, and we look forward with interest to the publication of the scientific results.

Architecture of the Famous Srikanteshwara Temple in Nanjangud, Mysore

Srikanteshwara Temple in Nanjangud, Mysore

Nanjangud located 25 kilometers from Mysore Nanjangud is a famous sacred town about 25 kilometers from Mysore. It is famous all over Karnataka because of the Srikanteshwara or Nanjundeshwara temple and people throng the porticos of this temple daily in large numbers. Fairytale has it that the sage Gautama stayed at Nanjangud and offered puja to the Shiva Linga, known as Srikanteshwara or Nanjundeshwara. The town attained holiness because of the “sangam” where the Gundlu and the Kapila join. The spot is called Parusharama Kshetra where the sage Parushurama is said to have been recompensed for the sin of decapitating his mother.

Nanjangud, also called as “Dakshina Kashi” (Southern Kashi)

Enclosed within a gigantic prakara its Dravidian stucco gopura is impressive. The small square garbhagriha with its cylindrical pillars in the antarala were built in the Ganga period of about ninth century. The mandapa in front of the original sanctum has lathe turned Hoysala pillars of 13th century. The dancing Ganapati is also a Hoysala sculpture. To the left of the main shrine is a shrine of Narayana and behind is a shrine for Chandikesvara. To the northwest of this is the Parvati shrine with a pillared sabhamandapa. The Parvati and the Narayana shrines as the gopura are the creations of the Vijayanagara period. To the right of the main shrine is a small shrine of Subramanya seated on the back of a peacock with seven-hooded Naga. The main shrine has a stucco sikhara of the Vijayanagara period. Mysore Wadeyars also made additions to the temple. The nine storied tall gopura of the Dravidian type was built by queen Devajammanni, queen of Krishnaraja Wadiyar III in 1849. Opening to the courtyard is a shrine for Nandi that is about 6 feet in height, donated by Dalavoy Vikramaraya. Another attraction is the huge stone bull which is 8ft in height. This was established by Dalavayi Vikramaraya in 1644. In its front is the Tulabhara mantapa. The ritual of weighing the devotees against any commodity is done here. Commonly people balance themselves against rice, jaggery, sugar etc.

The Maharajas of Mysore used to be illustrious devotees of Nanjundeshwara. Jayachamaraja Wadiyar was a celebrated believer and used to visit the temple on Mondays. In actual fact the Srikantadatta Wadiyar seems to be a favor from this God. The sanctified Sivalinga which is more than a thousand year old continues to fascinate devotees from far and wide.

Devotees of Nanjundeshwara, Srikanteshwara Temple

In addition to the main deity, there are many shrines for goddess Parvathi, Ganesha, Nataraja, Sharada, Subramanya, Navagraha etc. The twelve-monthly fair (Jatre) takes place during March–April which attracts thousands of devotees. Half-a-century ago, there used to be a dining hall called Shivakuta, opposite the temple kitchen. The devotees used to be served prasada here. Many old women used to take prasada here daily. Some of them had taken a vow not to use a plate or a leaf but to eat on the floor. This Shivakuta is not there today; today we have a luxurious dining hall.

Srikanteshwara Temple in Nanjangud, Mysore The vast prakara has decorated niches that house 122 images in all including Dikpalas, Virabhadra, Dakshinamurti, Tandavesvara and Shiva in various aspects, Ganapati, Saptamatrika etc. The linga in the main garbhagriha is about three feet in height, to which worship is offered. The Parvati image is about five feet in height and it is a beautiful sculpture of the early medieval period. Thus, the whole temple has a history of over thousand years starting from the tenth century. Krishnaraja Wadeyar III was a great patron of this temple and his statue with his queens is found in this temple. Traditionally this place is connected with Gautama and Parashurama and is on the banks of the sacred river Kapila. Even Hydar Ali and Tipu Sultan are said to have made some grants to this temple. According to popular belief, Tipu’s elephant got afflicted by an eye-ailment and no doctor (hakim) was able to heal it. Somebody suggested that he should pray to Sri Nanjundeshvara which he did. A wonder happened and the elephant’s eye was cured and impressed by this, Tipu called the god Hakim (doctor) Nanjunda. He gifted an emerald green Linga to the deity.

Architectural Highlights of Srikanteshwara Temple in Nanjangud

Architectural Highlights of Srikanteshwara Temple

A persistent idea in Indian philosophical, theological, and mythological systems is that of a cosmos expressed through a succession of emanations. Diverse traditions of dogma and practice share this vision of the advancement from the one to the many. Temple designs repeatedly exemplify the same kind of pattern. Within the diverse traditions of Indian temple architecture, an binding format is noticeable both in the formal structure of individual temple designs, which express a dynamic sequence of emergence and growth, and in the way in which temple forms develop right through the development of such edifying—often regional—traditions.

Another exclusive feature of this temple is the large number of Saiva sculptures made of stone and metal. On the left side of the prakara are found the stone sculptures of puratanas (Saiva saints) and of Siva himself in different forms and actions, such as Chandrasekhara, Andhakasura, Dakshinamurti etc. These were prepared during the period of Krishnaraja Wadiyar III. Thus it is a fine gallery of saiva sculptures. Another attraction is the stone sculpture of Krishnaraja Wadiyar III with his four wives. He gifted two wooden chariots (1819), silver horse, elephant, Nandi etc.

Brick and mortar gopura of Srikanteshwara Temple in Nanjangud

The Nanjundeshwara temple is one of the vastest in Karnataka. It is a temple complex of various periods. No less than four periods of its composition can be traced. It is a Dravida type structure. It is 385 ft long and 160 ft wide. The small sanctum (garbha-griha) was the earliest and built during the period of the Gangas or the Cholas (about 11th Century AD). The anterior mantapa in which the devotees sit was a later addition during the Hoysala period of the 13th Century AD. The next stage of construction took place during the Vijayanagara period. During this period, brick and mortar sikhara was constructed over the shrine. In fact, there is an inscription of Krishnadevaraya in this temple. The next stage of development took place during the period of Mysore Wadiyars, Dalavayis (Chiefs) of Kalale and Dewan Purnaiah. Actually most of the new constructions took place during the period of Krishnaraja Wadiyar III.

Most prominently, the brick and mortar gopura was built in 1845. This massive gopura is 120 ft high and is built in seven tiers. At the top of the gopura are seven gold-plated Kalasas, each about 10ft in height. Another attraction is the huge stone bull which is 8ft in height. This was established by Dalavayi Vikramaraya in 1644. In its front is the Tulabhara mantapa. The ritual of weighing the devotees against any commodity is done here. Generally people weigh themselves against rice, jaggery, sugar etc.

Rathotsava Chariot Procession

Rathotsava Chariot Procession of Srikanteshwara Temple in Nanjangud

A distinctive feature of this temple is that it has devotees from both Vaishnava and Srivaishnava sects. Srikanteshwara is a family deity of thousands of families in Karnataka and these families visit this temple regularly either or before performing major functions at their homes. The annual rathotsava or the chariot procession at Nanjanagud is a renowned religious ritual that attracts thousands of people from far and near. People turn out in droves for the yearly Panchamaha Rathothsava. The central Car Street was occupied by believers and pilgrims from Mysore and the nearby regions converge at the temple confines to get a peek of the recitation event which climaxed with the drawing of five chariots devoted to various deities. Rathothsava is preceded by an extravagant set of rituals at the Srikanteshwara temple with consecrated hymns accompanied by the conventional ensemble of musical instruments. After the rituals and special prayers, the first of the five chariots called the ‘Ganapathy Ratha’ is drawn by the devotees and this was followed by the ‘Chandikeshwara Ratha’, the ‘Gautama Ratha’, ‘Subramanya Ratha,’ and lastly the ‘Parvathi Ratha’. The cynosure of all eyes was the ‘Gautama Ratha’ which practically equals the height of the main tower of the temple and is supposed to be at least 90 feet high. Government authorities and law enforcement make exceptional preparations to transfer the chariots and to ensure that the chariots did not veer off the road anyway stationing cranes and other heavy machinery to cope with emergencies.

Dip in the Kapila river at Srikanteshwara Temple, Nanjangud

On Mahashivarathri festival, devotees show up on Nanjangud at daybreak to take a dip in the Kapila river before having a darshan of Lord Srikanteshwara. Special prayers began with the abhisheka and chanting of the Rudra Chamakam that continue right through the day. Chants of “Om Nama Shivaya” reverberated throughout the day. Rudra Chamakam, which is drawn from the Yajur Veda and is a description of Lord Shiva in his myriad forms, is considered significant during Mahashivarathri.

Mahashivarathri festival devotees in Nanjangud Thus, Srikanteshwara Temple in Nanjangud is one of the holiest of Shaiva pilgrim centers in Karnataka. Large Hindu temples are chiefly centers of learning, repositories of artistic and cultural relics, and sites for ceremonial endeavors.